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The Odyssey – Homer (Translated by Emily Wilson)

Cover of The Odyssey by Homer - translated by Emily Wilson

Obviously I had to read this after seeing the latest film, which was visually spectacular, but, to me, felt like ‘a boy’s own adventure’. I selected this version because it was translated by a woman, and I chose an audible version because I thought it would be easier to listen to it than read it myself.

Here’s the blurb …

Acclaimed actress Claire Danes burnishes an epic story of heroes, gods, and monsters in a groundbreaking translation of The Odyssey, the first great adventure story in the Western literary tradition. When the wily warrior-king Odysseus sets off for home after the Trojan War, he doesn’t realize this simple undertaking will become a perilous journey of 10 years. Beset at every turn, he encounters obstacles, detours, and temptations—both supernatural and human—while his wife Penelope fends off would-be suitors desperate to take the throne.

Emily Wilson is the first woman to take on the daunting task of translating over 100,000 lines of a three-millennium-old poem from Ancient Greek to modern-day English. Her breathtaking rendition captures the poetic immediacy of the original text, while allowing listeners to experience The Odyssey with an honesty and directness few other versions have achieved. The result is a lean, fleet-footed translation that recaptures Homer’s “nimble gallop” and brings an ancient epic to new life. A fascinating introduction provides an informative overview of the Bronze Age milieu that produced the epic, the major themes of the poem, the controversies about its origins, and the unparalleled scope of its impact and influence. 

I enjoyed it. The introduction was extremely informative – it gave me information about the time, location, social history of its creation. It’s a beautiful translation with many mentions of ‘rosy fingered dawn’ and ‘the wine dark seas’. Not to mention all of the weaving of purple cloth, putting sandals on well-oiled feet and a lot of weeping. There is a lovely flow and rhythm to it, and Claire Danes is a fabulous narrator.

I can see now that Nolan removed most of the women’s agency from the film. In my opinion Athena is the architect of everything. She transforms herself into various characters, makes Odysseus look old, handsome and virile, and even taller as required. She convinces Zeus to force Calypso to let Odysseus go – none of that is apparent in the film.

I am going to be one of those people who say ‘the book is better than the film’. However, would I have read it if I hadn’t seen the film? No, so Nolan is bringing new people to the book.

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Filed under 4, Audio, Classic, Fantasy, Fiction, Format, Historical Fiction, Poetry, Recommended

There’s No Coming Back From This – Ann Garvin

There’s No Coming Back From This – Ann Garvin

This was either a kindle daily deal or a prime monthly read from 2023. I finally ended up listening to it on Audible.

Here’s the blurb …

It seems lately that Poppy Lively is invisible to everyone but the IRS.

After her accountant absconded with her life savings, newly bankrupt Poppy is on the verge of losing her home when an old flame, now a hotshot producer, gives her a surprising way out: a job in costumes on a Hollywood film set. It’s a bold move to pack her bags, keep secrets from her daughter, and head to Los Angeles, but Poppy’s a capable person—how hard can a job in wardrobe be? It’s not like she has a choice; her life couldn’t get any worse. Even so, this midwesterner has a lot to learn about the fast and loose world of movie stars, iconic costumes, and back-lot intrigue.

As a single mom, she’s rarely had time for watching movies, she doesn’t sew, and she doesn’t know a thing about dressing the biggest names in the business. Floundering and overlooked, Poppy has one ally: Allen Carol, an ill-tempered movie star taken with Poppy’s unfiltered candor and general indifference to stardom.

When Poppy stumbles upon corruption, she relies on everyone underestimating her to discover who’s at the center of it, a revelation that shakes her belief in humanity. What she thought was a way to secure a future for her daughter becomes a spotlight illuminating the facts: Poppy is out of her league among the divas of Tinseltown.

Poppy must decide whether to keep her mouth shut, as she’s always done, or with the help of a scruffy dog, show the moviemakers that they need her unglamorous ways, whether the superstars like it or not.

At first I found reading this uncomfortable, Poppy had terrible self-esteem, her life was falling apart, and she was trying to keep everyone happy. However, I gradually started to warm to her – the one thing she did was to keep trying, putting one foot in front of the other, making it through each day. And she grew as a character to understand the emotional baggage from her childhood and to put her needs first.

I did enjoy all of the movie-making references – I have always been fascinated by costumes – the continuity issues, etc.

There’s a hint of romance, but mostly this is women’s fiction. There are witty moments (and I think it would make a good film), but also some moments with emotional depth. And now I know how to pronounce Milwaukee like a mid-westerner!

A review

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Filed under 4, Audio, Digital, Fiction, Romance

Misdirected – Lucy Parker

Misdriected – Lucy Parker

I saw this mentioned somewhere (sorry I can’t remember where – I need to take better notes), and as I usually like the audible originals and I have read Codename Charlie, I was keen to give this a go.

Here’s the blurb …

Hattie Murton never dreamed of TV stardom. A straight-from-a-fairytale encounter with a casting agent somehow landed her a part on what she’d thought would be a one-off pilot for Leicester Square, a bodice-ripping drama adapted from a bestselling romance novel. Buoyed by a surge in demand for romantic dramas, the show instead propelled its core cast to household-name status within a month.

Hattie tries to look on the positive side of all situations, but four seasons of brutal press, overly invested fans, and a cutthroat industry that’s never quite felt like the right fit would give even Pollyanna an edge of cynicism. And high on the ‘con’ list when it comes to her current and unintended career is having to share a set and some horrendously early starts with Anthony Rafe. Leicester Square villain. A-lister. Absolute prat.

In the new season’s scripts, it appears that her previously sane, rational character is about to lose her mind and begin an unexpected and unsettlingly graphic affair with the series villain. Forced into close—very close and very…intimate—proximity with the man everyone loves to hate, Hattie’s horror is matched only by Anthony’s drawling disdain. But when very real chemistry sparks during their scripted love scenes, Hattie begins to think the industry’s legendarily heartless Bad Guy might just have a pulse after all. And Anthony, for his part, is caught off-guard by the way his heart races when he’s around his aggravating onscreen lover.

As reality starts to imitate art a little too close for comfort, the world’s most unlikely couple might just have more in common than they thought…

I really enjoyed this, it’s fun, witty, and the characters are lovely. And who doesn’t like someone whose dream is to open a book store in a lovely country town? And the narration by Nicola Coughlin and Gwilym Lee is fabulous. I liked the structure as well – from the point of view of the heroine and hero. I also like that there is nothing contrived getting in the way of the relationship. None of that ‘I am not good enough’ rubbish.

A review

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Filed under 5, Audio, Fiction, Romance