As someone who has issues with food and weight, I was interested in reading this one. I read Conquering Fat Logic by Nadja Hermann last year and I found it very liberating. I realised I was in charge of my weight – no excuses.
Here’s the blurb…
Roth began exploring emotional eating in her bestseller When Food Is Love. Now, two decades later, here is her masterwork: WOMEN FOOD AND GOD.
The way you eat is inseparable from your core beliefs about being alive. No matter how sophisticated or wise or enlightened you believe you are, how you eat tells all. The world is on your plate. When you begin to understand what prompts you to use food as a way to numb or distract yourself, the process takes you deeper into realms of spirit and to the bright center of your own life. Rather than getting rid of or instantly changing your conflicted relationship with food, Women Food and God is about welcoming what is already here, and contacting the part of yourself that is already whole—divinity itself.
This book covers emotional eating (my big downfall), why we do it and how we can stop it. I found it confronting and enlightening.
A Needle in the Right Hand of God – R Howard Block
I am going to Bayeux this year – I was meant to go in 2020, but that wasn’t to be, so this is the year. I am very keen to see the Bayeux Tapestry (and yes I know it’s not a tapestry).
This is the latest of several books on the tapestry that I have read.
Here’s the blurb …
The Bayeux Tapestry is the world’s most famous textile–an exquisite 230-foot-long embroidered panorama depicting the events surrounding the Norman Conquest of 1066. It is also one of history’s most mysterious and compelling works of art. This haunting stitched account of the battle that redrew the map of medieval Europe has inspired dreams of theft, waves of nationalism, visions of limitless power, and esthetic rapture. In his fascinating new book, Yale professor R. Howard Bloch reveals the history, the hidden meaning, the deep beauty, and the enduring allure of this astonishing piece of cloth.
Bloch opens with a gripping account of the event that inspired the Tapestry: the swift, bloody Battle of Hastings, in which the Norman bastard William defeated the Anglo-Saxon king, Harold, and laid claim to England under his new title, William the Conqueror. But to truly understand the connection between battle and embroidery, one must retrace the web of international intrigue and scandal that climaxed at Hastings. Bloch demonstrates how, with astonishing intimacy and immediacy, the artisans who fashioned this work of textile art brought to life a moment that changed the course of British culture and history.
Every age has cherished the Tapestry for different reasons and read new meaning into its enigmatic words and images. French nationalists in the mid-nineteenth century, fired by Tapestry’s evocation of military glory, unearthed the lost French epic “The Song of Roland,” which Norman troops sang as they marched to victory in 1066. As the Nazis tightened their grip on Europe, Hitler sent a team to France to study the Tapestry, decode its Nordic elements, and, at the end of the war, with Paris under siege, bring the precious cloth to Berlin. The richest horde of buried Anglo-Saxon treasure, the matchless beauty of Byzantine silk, Aesop’s strange fable “The Swallow and the Linseed,” the colony that Anglo-Saxon nobles founded in the Middle East following their defeat at Hastings–all are brilliantly woven into Bloch’s riveting narrative.
Seamlessly integrating Norman, Anglo-Saxon, Viking, and Byzantine elements, the Bayeux Tapestry ranks with Chartres and the Tower of London as a crowning achievement of medieval Europe. And yet, more than a work of art, the Tapestry served as the suture that bound up the wounds of 1066.
Enhanced by a stunning full-color insert that includes reproductions of the complete Tapestry, A Needle in the Right Hand of God will stand with The Professor and the Madman and How the Irish Saved Civilization as a triumph of popular history.
This book covers European history around the time of the conquest, prior to the conquest and up to the First Crusade. The author has a theory that the First Crusade is the second Norman Conquest and that the tapestry looks forward to the Crusade. He writes about the ‘tapestry maker’ and what might have been the sources for the design and motifs. I need to read it with images of the tapestry, so I can gain a better understanding. This had a wider view than the previous books I had read; The Story of the Bayeux Tapestry – Musgrove and Lewis, and The Bayeux Tapestry Carolina Hicks.
I attended a (virtual) talk by Lucy Adlington – it was organised by Selvedge magazine. After that, I was keen to read this book. I found a copy in Busselton (in the local Dymocks). It did take me a while to get to it.
Here’s the blurb …
A powerful chronicle of the women who used their sewing skills to survive the Holocaust, stitching beautiful clothes at an extraordinary fashion workshop created within one of the most notorious WWII death camps.
At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp—mainly Jewish women and girls—were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers.
This fashion workshop—called the Upper Tailoring Studio—was established by Hedwig Höss, the camp commandant’s wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin’s upper crust.
Drawing on diverse sources—including interviews with the last surviving seamstress—The Dressmakers of Auschwitz follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers’ remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.
This is an extraordinary story that needs to be told and remembered. Not easy reading, I am not sure how anyone survived it and went on to live productive lives. And their treatment directly after the war was also heart-breaking.
It is well-written and researched, and with the death of the last survivor in 2021, we need books like this to remind us of the past.
I am not sure where I first heard about this book, but I bought a second hand copy from Abe books (it’s probably a second because the first chapter is in backwards!).
Here’s the blurb …
When we look closely at dress in a novel we begin to enrich our sense of the novel’s historical and social context. More than this, wealth, class, beauty and moral rectitude can all be coded in fabric. In the modern novel, narratives are increasingly situated within the consciousness of characters, and it is the experience of dress that tells us about the context and the emotional, political and psychological values of the characters. Dressed in Fiction traces the deployment of dress in key fictional texts of the eighteenth and nineteenth centuries, from Daniel Defoe’s Roxana to George Eliot’s Middlemarch and Edith Wharton’s The House of Mirth. Covering a range of topics, from the growth of the middle classes and the association of luxury with vice, to the reasons why wedding dresses rarely ever symbolize happiness, the book presents a unique study of the history of clothing through the most popular and influential literature of the eighteenth and nineteenth centuries.
This book (non-fiction) is the intersection of literature and fashion history. I found it fascinating and very readable. I haven’t read Daniel Defoe so that chapter didn’t appeal to me as much as the others, I particularly enjoyed the ones on Middlemarch and House of Mirth. I now want to go back and (re)read these novels.
If you enjoy Victorian literature and fashion, then you will enjoy this book.
I has this languishing on my Kindle (was it a daily or monthly deal?).
Bestselling author Simon Winchester writes a magnificent history of the pioneering engineers who developed precision machinery to allow us to see as far as the moon and as close as the Higgs boson. Precision is the key to everything. It is an integral, unchallenged and essential component of our modern social, mercantile, scientific, mechanical and intellectual landscapes. The items we value in our daily lives – a camera, phone, computer, bicycle, car, a dishwasher perhaps – all sport components that fit together with precision and operate with near perfection. We also assume that the more precise a device the better it is. And yet whilst we live lives peppered and larded with precision, we are not, when we come to think about it, entirely sure what precision is, or what it means. How and when did it begin to build the modern world?
Simon Winchester seeks to answer these questions through stories of precision’s pioneers. Exactly takes us back to the origins of the Industrial Age, to Britain where he introduces the scientific minds that helped usher in modern production: John `Iron-Mad’ Wilkinson, Henry Maudslay, Joseph Bramah, Jesse Ramsden, and Joseph Whitworth. Thomas Jefferson exported their discoveries to the United States as manufacturing developed in the early twentieth century, with Britain’s Henry Royce developing the Rolls Royce and Henry Ford mass producing cars, Hattori’s Seiko and Leica lenses, to today’s cutting-edge developments from Europe, Asia and North America.
As he introduces the minds and methods that have changed the modern world, Winchester explores fundamental questions. Why is precision important? What are the different tools we use to measure it? Who has invented and perfected it? Has the pursuit of the ultra-precise in so many facets of human life blinded us to other things of equal value, such as an appreciation for the age-old traditions of craftsmanship, art, and high culture? Are we missing something that reflects the world.
It has 9 chapters based on a level of precision:
Stars, Seconds, Cylinders and Steam.
Extremely flat and Incredily Close
A Gun in Every Home, a Clock in Every Cabin.
On the Verge of a More Perfect World
The Irrestibible Lure of the Highway
Precision and Peril, Six Miles High
Through a glass, Distinctly
Where am I and What is the Time?
Squeezing Beyond Boundaries
I particularly enjoyed the chapters on the Hubble Telescope (and its issues) and the shrinking of transistors on chips.
I think there is a lot we take for granted in a world of mass production; we expected parts to be interchangeable, i.e. we can just replace a part when it breaks down and not have to hand-machine something specific to replace the broken bit.
This is a fascinating book with a lot of information about precision, but also about the people who make precise things and who are trying to push the boundaries of precision.
This was given to me as a gift, and as a fan of The Great British Sewing Bee, I was very keen to read this book.
From adventures at Central Saint Martins to The Great British Sewing Bee , go behind the scenes of Esme Young’s amazing life…
At age five, Esme was asked to write in her notebook, but instead, she filled it with drawings – the only way she knew to express herself. At seven, when it was discovered she was partially deaf, she found refuge in her sketchbooks. Shortly after, Esme made her first garment and a passion for sewing and designing was born. As a teenager, she made her way to London where her creative journey truly began.
Living in a squat with other young creatives, Esme made the most of her time; studying at Central Saint Martins, launching a clothing line called Swanky Modes with three friends and £50 each, watching Notting Hill Carnival with David Bowie, and altering a dress for Cher. The ’90s saw a career move into costumes for films, where she designed outfits for Trainspotting , Bridget Jones’s Diary and The Beach , before she moved onto the small screen herself.
A celebration of a creative life lived differently, Behind the Seams is a reminder that it’s never too early, or too late to pick up a needle and start stitching in a new direction.
This was great, so much that I didn’t know or expect. From the sewing bee, I knew about her work at Central Saint Martins, but nothing about the rest of her career. And what an amazing career it is; fashion and costume design, fabulous collaborations.
The driving impulse seems to be to say yes (almost all the time) to all opportunities.
If you’re interested in textiles, fashion, sewing, pattern cutting or the sewing bee, then this book will interest you.
Anne’s world – A New Century of Anne of Green Gables
I bought this soon after it was published (way back in 2010) and I finally read it. It’s a series of papers written around the time of the 100th anniversary of the publishing of Anne of Green Gables.
Here’s the blurb …
The recent 100 year anniversary of the first publication of L.M. Montgomery’s Anne of Green Gables has inspired renewed interest in one of Canada’s most beloved fictional icons. The international appeal of the red-haired orphan has not diminished over the past century, and the cultural meanings of her story continue to grow and change. The original essays in Anne’s World offer fresh and timely approaches to issues of culture, identity, health, and globalization as they apply to Montgomery’s famous character and to today’s readers.
In conversation with each other and with the work of previous experts, the contributors to Anne’s World discuss topics as diverse as Anne in fashion, the global industry surrounding Anne, how the novel can be used as a tool to counteract depression, and the possibility that Anne suffers from Fetal Alcohol Syndrome. Anne in translation and its adaptation for film and television are also considered. By establishing new ways to examine one of popular culture’s most beloved characters, the essays of Anne’s World demonstrate the timeless and ongoing appeal of L.M. Montgomery’s writing.
It covers a diverse range of topics; from translations to adaptations, bibliotherapy, etc. I skipped some of the chapters – the one on Fetal Alcohol syndrome for example, if anything I think Anne has ADHD. But this was an interesting selection of papers, and made me want to read the novel again and dig into LM Montgomery’s journals.
It is quite an academic book, but don’t let that put you off, it’s easy to read. And there are lots of foot notes you can explorer for extra reading.
I can’t find a review of this book, but here is a link to an article Margaret Atwood wrote about Anne of Green Gables.
I first heard of Nell Stevens on the Backlisted podcast – they were discussing Mrs Gaskell’s North and South (one of my favourite books – and there is a fabulous television adaptation). And this sounded right up my alley – I have already read something similar about George Eliot, and there was My Salinger Year, not to forget My Life in Middlemarchby Rebecca Mead. Now I need someone to write one about Austen.
Here’s the blurb …
In 1857, after two years of writing The Life of Charlotte Bronte, Elizabeth Gaskell fled England for Rome on the eve of publication. The project had become so fraught with criticism, with different truths and different lies, that Mrs Gaskell couldn’t stand it any more. She threw her book out into the world and disappeared to Italy with her two eldest daughters. In Rome she found excitement, inspiration, and love: a group of artists and writers who would become lifelong friends, and a man – Charles Norton – who would become the love of Mrs Gaskell’s life, though they would never be together.
In 2013, Nell Stevens is embarking on her Ph.D. – about the community of artists and writers living in Rome in the mid-nineteenth century – and falling drastically in love with a man who lives in another city. As Nell chases her heart around the world, and as Mrs Gaskell forms the greatest connection of her life, these two women, though centuries apart, are drawn together.
Mrs Gaskell and Me is about unrequited love and the romance of friendship, it is about forming a way of life outside the conventions of your time, and it offers Nell the opportunity – even as her own relationship falls apart – to give Mrs Gaskell the ending she deserved.
I enjoyed both stories – Mrs Gaskell’s and Nell’s. I had no idea that Mrs Gaskell was in love with a man who was not her husband. I have always pictured her as a religious women who lived through some tragedies (didn’t her son die young?). Both Nell and Mrs Gaskell were longing for me who couldn’t (or wouldn’t) return their feelings. It’s about keeping going when you can’t have what you want and you don’t know what to want instead.
This book has been in my pile for quite some time. I have read Embroidering Her Truth, I think this one just got buried under the pile of new books. Eventually I listened to it.
Here’s the blurb …
A globe-spanning history of sewing, embroidery, and the people who have used a needle and thread to make their voices heard
In 1970s Argentina, mothers marched in headscarves embroidered with the names of their “disappeared” children. In Tudor, England, when Mary, Queen of Scots, was under house arrest, her needlework carried her messages to the outside world. From the political propaganda of the Bayeux Tapestry, World War I soldiers coping with PTSD, and the maps sewn by schoolgirls in the New World, to the AIDS quilt, Hmong story clothes, and pink pussyhats, women and men have used the language of sewing to make their voices heard, even in the most desperate of circumstances.
Threads of Life is a chronicle of identity, protest, memory, power, and politics told through the stories of needlework. Clare Hunter, master of the craft, threads her own narrative as she takes us over centuries and across continents—from medieval France to contemporary Mexico and the United States, and from a POW camp in Singapore to a family attic in Scotland—to celebrate the age-old, universal, and underexplored beauty and power of sewing. Threads of Life is an evocative and moving book about the need we have to tell our story.
It is split into 16 chapters (each chapter is the theme by which the needlework is discussed):
Unknown
Power
Fraility
Captivity
Identity
Connection
Protect
Journey
Protest
Loss
Community
Place
Value
Art
Voice
For example, embroidered banners are discussed in the Protest chapter (mining unions, the women’s suffragette movement)
If you are at all interested in social history and/or textiles, then you will find this book fascinating and inspiring. The research is impressive, but not overwhelming. And there are some personal anecdotes as well, which I always enjoy.
This book has been languishing in my digital pile for quite some time (along with some of his other works, not to mention the novel Essex Dogs). I finally decided I had to read it, and I have a new regime of reading for 30 mins a day.
I really enjoyed it, it’s obviously well-researched, but easy and entertaining to read. I have also read/listened to Ghost Empire by Richard Fidler, so I feel that I am slowly building up an idea of the medieval western world. Now I am quite keen to read Femima by Janina Ramirez to get a feminist persepective on the middle ages, but I have a large number of unread history books in my pile.
Here is the Goodreads description
An epic reappraisal of the medieval world–and the rich and complicated legacy left to us by the rise of the West–from the New York Times bestselling author of The Templars.
When the once-mighty city of Rome was sacked by barbarians in 410 and lay in ruins, it signaled the end of an era–and the beginning of a thousand years of profound transformation. In a gripping narrative bursting with big names–from St Augustine and Attila the Hun to the Prophet Muhammad and Eleanor of Aquitaine–Dan Jones charges through the history of the Middle Ages. Powers and Thrones takes readers on a journey through an emerging Europe, the great capitals of late Antiquity, as well as the influential cities of the Islamic West, and culminates in the first contact between the old and new worlds in the sixteenth century.
The medieval world was forged by the big forces that still occupy us today: climate change, pandemic disease, mass migration, and technological revolutions. This was the time when the great European nationalities were formed; when our basic Western systems of law and governance were codified; when the Christian Churches matured as both powerful institutions and the regulators of Western public morality; and when art, architecture, philosophical inquiry and scientific invention went through periods of massive, revolutionary change. At each stage in this story, successive western powers thrived by attracting–or stealing–the most valuable resources, ideas, and people from the rest of the world.
The West was rebuilt on the ruins of an empire and emerged from a state of crisis and collapse to dominate the region and the world. Every sphere of human life and activity was transformed in the thousand years of Powers and Thrones. As we face a critical turning point in our own millennium, the legacy and lessons of how we got here matter more than ever.
