I have been making my way through Mick Herron’s Slow Horses series and when I saw the adaptation of this on Apple, I decided to give it a go.
Here’s the blurb …
CWA Gold Dagger winner Mick Herron’s debut novel introduces Sarah Tucker, whose search for a missing child unravels a murderous conspiracy.
When a house explodes in a quiet Oxford suburb and a young girl disappears in the aftermath, Sarah Tucker—a young married woman, bored and unhappy with domestic life—becomes obsessed with finding her. Accustomed to dull chores in a childless household and hosting her husband’s wearisome business clients for dinner, Sarah suddenly finds herself questioning everything she thought she knew, as her investigation reveals that people long believed dead are still among the living, while the living are fast joining the dead. What begins in a peaceful neighborhood reaches its climax on a remote, unwelcoming Scottish island as the search puts Sarah in league with a man who finds himself being hunted down by murderous official forces.
I didn’t realise this was his debut novel – it is certainly very good, with all of his trademarks. Self-serving spooks, witty dialogue and no character is safe (there is no plot armour).
It’s twisty and turny and there was one very unexpected event (no spoilers). I am looking forward to watching the adaptation now.
My local library (Evelyn H Parker) was having an Author talk and craft event. Ms Paull was one of the authors. So, in preparation, I read this novel.
I do like a novel set in W.A.
Here’s the blurb …
Sarah Willis longs to free herself from the expectations of a privileged upbringing, while Winston Keller can’ t afford the luxury of a dream. Despite their differences, the pair are drawn together in a whirlwind romance that defies the boundaries of class. But when a dark family secret pulls the young lovers apart, and WWII plunges the world into chaos, it seems impossible they will ever find their way back to each other &– or even hold onto the dream of what might have been
It is clear that a lot of research went into this novel. I learnt quite a few things. For example, I didn’t know that there was rationing (here in W.A) during World War Two. Or that there were so many war brides (not to mention the ones who got duped).
The characters are well-written, particularly the bitchy Florence. Winston and his mother, Elsie, were delightful. Robert Willis might be a bit too stark a villain, but otherwise this was an interesting and enjoyable novel to read.
Last year I read all of the Booker prize short listed novels and my plan was to try to do that again this year. However, I only read one (The Land in Winter) before the winner was announced (Flesh). I saw the short films the Booker prize people made for each of the short listed novels, and this one appealed to me.
Here’s the blurb …
One woman, the performance of a lifetime. Or two. An exhilarating, destabilising Möbius strip of a novel that asks whether we ever really know the people we love.
Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young – young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately.
I don’t want to spoil this for anyone, so I am just going to write that it is a novel in two parts, and the second part upends everything you thought you knew from part one.
There is a single narrator – a middle aged woman – whose name we don’t know. There is no exposition. She doesn’t give us information like who is Tomas? (her husband it turns out). There is a fabulous sense of place – it felt like a witty New York movie. And I enjoyed all of her musings on the craft of acting.
This was the book chosen by my Wednesday (but we meet on a Monday) book club.
Here’s the blurb …
An “evocative read and a powerful portrait of friendship, feminism, and political activism” (People) set against three transformative decades in Tehran, Iran—from nationally bestselling author Marjan Kamali.
In 1950s Tehran, seven-year-old Ellie lives in grand comfort until the untimely death of her father, forcing Ellie and her mother to move to a tiny home downtown. Lonely and bearing the brunt of her mother’s endless grievances, Ellie dreams for a friend to alleviate her isolation.
Luckily, on the first day of school, she meets Homa, a kind girl with a brave and irrepressible spirit. Together, the two girls play games, learn to cook in the stone kitchen of Homa’s warm home, wander through the colorful stalls of the Grand Bazaar, and share their ambitions of becoming “lion women.”
But their happiness is disrupted when Ellie and her mother are afforded the opportunity to return to their previous bourgeois life. Now a popular student at the best girls’ high school in Iran, Ellie’s memories of Homa begin to fade. Years later, however, her sudden reappearance in Ellie’s privileged world alters the course of both of their lives.
Together, the two young women come of age and pursue their own goals for meaningful futures. But as the political turmoil in Iran builds to a breaking point, one earth-shattering betrayal will have enormous consequences.
I have spent a lot of time with this novel. I read each chapter twice and wrote summaries. For me this novel was about friendship, feminism, loyalty, and betrayal. The structure of the novel is very good. Different time periods and different points of view. This creates perspective – you see the same events in a different light. I think it could have been a bit tighter, a few less scenes in every time period. However, it should be widely read to bring the plight of the Iranian people to a bigger audience (and not just see them as part of the ‘axis of evil’). And also to appreciate how the British and Americans interfered in the government of the country to suit their national interests (that’s a problem that has come home to roost).
I know very little about Iran. I enjoyed all of the descriptions of Iranian culture. And how, with the Shah, women had some rights and were encouraged to be educated. It seemed to be quite a secular society. And now, I think they must be some of the most oppressed women in the world. It is very disheartening.
I do like a Gamache story (I think there is 20 of them!).
Here’s the blurb for this one…
When a mysterious figure appears in Three Pines one cold November day, Armand Gamache and the rest of the villagers are at first curious. Then wary. Through rain and sleet, the figure stands unmoving, staring ahead.
From the moment the creature’s shadow falls over the village, Gamache, now Chief Superintendent of the Sûreté du Quebec, suspects it has deep roots and a dark purpose. Yet he does nothing. What can he do? Only watch and wait. And hope his mounting fears are not realized.
But when the figure vanishes overnight and a body is discovered, it falls to Gamache to discover if a debt has been paid or levied.
Months later, on a steamy July day, as the trial for the accused begins in Montréal, Chief Superintendent Gamache continues to struggle with actions he set in motion that bitter November from which there is no going back. More than the accused is on trial. Gamache’s own conscience is standing in judgment.
In her latest utterly gripping book, number-one New York Times bestselling author Louise Penny shatters the conventions of the crime novel to explore what Gandhi called the court of conscience. A court that supersedes all others.
This story is told over two time-frames. When the murder occurred (around Halloween) and when the murderer went on trial (July the following year). There are sneaky things afoot – a hidden door, perjury, feigned incompetence and a few red herrings as well.
Like all of the Gamache novels, it is beautifully written and we learn a bit about Cobradors (here is an article about them), although our Cobrador is more of a conscience than a debt collector.
I watched the 2011 TV adaptation (which is great), then I read a paper copy, and now I have listened to it. Clearly a bit of a favourite.
Here’s the blurb …
Winifred Holtby’s masterpiece is a rich evocation of the lives and relationships of the characters of South Riding. Sarah Burton, the fiery young headmistress of the local girls’ school; Mrs Beddows, the district’s first alderwoman—based on Holtby’s own mother; and Robert Carne, the conservative gentleman-farmer locked in a disastrous marriage—with whom the radical Sarah Burton falls in love. Showing how public decisions can mold the individual, this story offers a panoramic and unforgettable view of Yorkshire life.
I really enjoyed this novel. I think it shows a slice of rural life in England between the wars. The machinations of the local council, the living conditions of the poor (lack of sanitation, not to mention birth control), the lack of welfare services (I am thinking of Lydia having to leave school to look after her siblings after her mother dies), but there is also community spirit and a hope that things will improve.
I always like a reading memoir and I follow Daisy on substack. Clearly, I was going to want this book.
Here’s the blurb …
Daisy Buchanan doesn’t have the answer – but she’s found something to soothe her incessant questioning. When Daisy first felt worry consume her as a child, she turned to the wonder of reading. Somehow, as a grown-up (or a person trying to be one) she turned to food, alcohol and online shopping instead, but these momentary highs made her feel lower still. Eventually diagnosed with General Anxiety Disorder, she returned to reading and soon discovered that losing herself in a good book helped her find so much her confidence through characters, her sexuality through racy romps and more and more peace with every page.
In READ YOURSELF HAPPY, Daisy Buchanan – writer, broadcaster and host of the You’re Booked podcast – combines her own journey, the wisdom of the characters, writers and literary worlds she has loved and the advice of experts to help you read yourself calmer, read yourself romantic, read yourself free from addiction and so much more. This book will help you form one of the healthiest habits you already have at your fingertips.
This was a really personal journey about reading and how books can heal us and help us in a myriad of ways – show us different ways of living and being.
I enjoyed the first Peter Wimsey story, so when I was looking for something easy to listen to (after Villette), I chose this one. I am very keen to get to Gaudy Night, but that is book number 10.
Here’s the blurb …
Rustic old Riddlesdale Lodge was a Wimsey family retreat filled with country pleasures and the thrill of the hunt — until the game turned up human and quite dead. He lay among the chrysanthemums, wore slippers and a dinner jacket and was Lord Peter’s brother-in-law-to-be. His accused murderer was Wimsey’s own brother, and if murder set all in the family wasn’t enough to boggle the unflappable Lord Wimsey, perhaps a few twists of fate would be — a mysterious vanishing midnight letter from Egypt…a grieving fiancee with suitcase in hand…and a bullet destined for one very special Wimsey.
I love everything about these novels. The settings, the language, the way of life, the characters – Lord Peter, Bunter and Inspector Parker (clearly in love with Lady Mary). I like how the crimes are solved. But it’s not just a cozy mystery they have some emotional heft to them.
I have tried to read Villette many times. I usually get to the part when Lucy is desperately lonely and visits the catholic church. However, this time I made it all the way to the end (and it has a happy ending (well maybe a happy ending) – who knew? I thought it was going to be miserable).
Here’s the wikipedia summary
Villette begins with its protagonist and unreliable narrator, Lucy Snowe, aged 13, staying at the home of her godmother Mrs. Bretton in “the clean and ancient town of Bretton”, in England. Also in residence are Mrs. Bretton’s teenaged son, John Graham Bretton (whom the family calls Graham), and a young visitor, Paulina Home (who is called Polly), who is aged 6. Polly’s mother, who neglected her daughter, has recently died and her father is recommended by doctors to travel to improve his spirits. Polly is invited by Mrs. Bretton to stay. Polly is a serious little girl, who is described as unlike normal children.
Polly soon develops a deep devotion to Graham, who showers her with attention. But Polly’s visit is cut short when her father arrives to summon her to live with him abroad.
For reasons that are not stated, Lucy leaves Mrs. Bretton’s home a few weeks after Polly’s departure. Some years pass, during which an unspecified family tragedy leaves Lucy without family, home, or means. After some initial hesitation, she is hired as a caregiver by Miss Marchmont, a rheumatic crippled woman. Lucy is soon accustomed to her work and has begun to feel content with her quiet, frugal lifestyle.
The night of a dramatic storm, Miss Marchmont regains all her energy and feels young again. She shares with Lucy her sad love story of 30 years ago, and concludes that she should treat Lucy better and be a better person. She believes that death will reunite her with her dead lover. The next morning, Lucy finds Miss Marchmont died in the night.
Newspaper illustration from abridged version of Villette, 1909
Lucy then leaves the English countryside and goes to London. At the age of 22, she boards a ship for Labassecour despite knowing very little French. On the ship, she meets Ginevra Fanshawe, who tells Lucy that the directress of her boarding school for girls (based upon the Hegers’ Brussels pensionnat) she is attending, Madame Beck, needs a bonne for her children. She travels to the city of Villette in Labassecour where Madame Beck’s school is located. After a time, she is hired to teach English at the school, in addition to having to mind Madame Beck’s three children. She thrives despite Madame Beck’s constant spying on the staff and students.
“Dr. John,” a handsome English doctor, frequently visits the school at the behest of Madame Beck, and deepens his affection for the coquette Ginevra Fanshawe. In one of Villette’s famous plot twists, “Dr. John” is later revealed to be John Graham Bretton, a fact that Lucy has known since he once asked her why she was staring at him, but has deliberately concealed from the reader.
During the school holidays, all the teachers and pupils have either gone to travel abroad or gone back to their families. The school is completely empty except for a disabled child whom Lucy is supposed to take care of. After the disabled child is fetched away, Lucy is extremely lonely and becomes both mentally and physically ill. She goes to a Catholic church (despite being a Protestant) to confess to a priest. On the way back to the school, she collapses due to fever and mental exhaustion. Dr. John brings her to his home, which he shares with his mother, Mrs. Bretton.
Graham recognises Lucy only after she is brought to Mrs. Bretton’s home. After Dr. John (i.e., Graham) discovers Ginevra’s true character while at the theatre, he turns his attention to Lucy, and they become close friends. She values this friendship highly despite her usual emotional reserve. Lucy soon develops feelings for Dr. John and treasures the letters he sends her once she returns to the pensionnat.
Lucy and Graham meet Polly (Paulina Home) again at the same theatre after a fire, in which Polly is injured. Polly’s father has inherited the title “de Bassompierre” and is now a Count; thus her name is now Paulina Mary Home de Bassompierre. Polly and Graham soon discover that they knew each other in the past and slowly renew their friendship. They fall in love and eventually marry despite the initial reluctance of Polly’s father.
Lucy becomes progressively closer to a colleague, the irascible, autocratic, and confrontational professeur, M. Paul Emanuel, a relative of Mme. Beck. Lucy gradually realises that his apparent antagonism is actually helping her to overcome her weaknesses and to grow. She and Paul eventually fall in love.
However, a group of conspiring antagonists, including Madame Beck, the priest Père Silas, and the relatives of M. Paul’s long-dead fiancée, work to keep the two apart, on the grounds that a union between a Catholic and a Protestant is impossible. They finally succeed in forcing M. Paul’s departure for Guadeloupe to oversee a plantation there. He nonetheless declares his love for Lucy before his departure and arranges for her to live independently as the headmistress of her own day school, which she later expands into a pensionnat.
During the course of the novel, Lucy has three encounters with the figure of a nun — which may be the ghost of a nun who was buried alive on the school’s grounds as punishment for breaking her vow of chastity. In a highly symbolic scene near the end of the novel, she discovers the “nun’s” habit in her bed and destroys it. She later finds out that it was a disguise worn by Ginevra’s amour, Alfred de Hamal, placed in Lucy’s bed as a prank. The episodes with the nun no doubt contributed substantially to the novel’s reputation as a gothic novel. Ginevra keeps in contact with Lucy through letters that show the young coquette has not changed and expects to live off of her uncle’s (Basompierre’s) good graces.
Villette’s final pages are ambiguous. Although Lucy says that she wants to leave the reader free to imagine a happy ending, she hints strongly that M. Paul’s ship was destroyed by a storm during his return journey from the West Indies. She says that, “M. Emanuel was away three years. Reader, they were the three happiest years of my life.” This passage suggests that he was drowned by the “destroying angel of tempest.”
There is not much of a plot to this novel, it’s more about Lucy’s progress through life. Her loneliness, her self-possession, the impact other people have on her (both well-meaning and not so well-meaning – Madame Beck and her surveillance). The story is told from Lucy’s point of view. She is a solitary creature who longs for human connection. It is definitely from the 19th century, there is a lot of thinking, religion, and discussions about duty.
This was long listed for the Women’s Prize for non-fiction in 2024. I promptly bought it and I have just finished it.
Here’s the blurb …
The gripping story of three young women who came of age and into power in a world dominated by men.
Orphaned from infancy, Catherine de’Medici endured a tumultuous childhood. Married to King Henry II of France, she was widowed by forty, only to become the power behind the throne during a period of intense civil strife. In 1546 Catherine gave birth to a daughter, Elisabeth de Valois, who would become Queen of Spain. Two years later Catherine welcomed to her nursery the beguiling young Mary, Queen of Scots, who would become her daughter-in-law.
These years at the French court bound Catherine, Elisabeth and Mary to one another through blood and marriage, alliance and friendship, love and filial piety – bonds that were tested when they were forced to part and take on new roles in different kingdoms. As queens, they lived through the sea changes that transformed sixteenth century Europe; a time of expanding empires, religious discord and popular revolt. They would learn that to rule was to wage a constant war against the deeply entrenched attitudes of their time. A crown could exalt a young women equally it could destroy her.
This was fascinating. I already knew a bit about Mary, Queen of Scots, having read Embroidering Her Truth by Clare Hunter, and I had heard of Catherine de’Medici (and I have watched a bit of The Serpent Queen), but I had never even heard of Elizabeth de Valois.
This book has a nice easy style (conversational almost), not burdened by jargon. The writing is good and the events so compelling, and sometimes exciting, it’s like reading an historical fiction novel.
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