My daughter loves Brandon Sanderson novels and when I saw that this was a stand-alone novel and not too thick, I decided to give it a go.
Here’s the blurb …
A man awakens in a clearing in what appears to be medieval England with no memory of who he is, where he came from, or why he is there. Chased by a group from his own time, his sole hope for survival lies in regaining his missing memories, making allies among the locals, and perhaps even trusting in their superstitious boasts. His only help from the “real world” should have been a guidebook entitled The Frugal Wizard’s Handbook for Surviving Medieval England, except his copy exploded during transit. The few fragments he managed to save provide clues to his situation, but can he figure them out in time to survive?
This was lots of fun to read – witty and a bit tongue in cheek. In fact, it reminded me of Jasper FForde’s The Last Dragonslayer (the style or the humour not the plot). I think it would make a great movie or TV series.
This one was recommended by a friend and I managed to get a library copy on my Kobo.
Here’s the blurb …
In her first novel in over a decade, Claire Kilroy takes readers deep into the early days of motherhood. Exploring the clash of fierce love with a seismic shift in identity, Kilroy conjures the raw, tumultuous emotions of a new mother, as her marriage strains and she struggles with questions of equality, autonomy, and creativity.
Soldier Sailor is a tale of boundless love and relentless battle, a mother’s bedtime story to her son, Sailor, recounting their early years together. Caught in the grip of her toddler’s seemingly endless terrible twos, Soldier doesn’t know who she is anymore. She spends her days in baby groups, playgrounds, and supermarkets. She hardly sees her husband, who has taken to working late most nights. A chance encounter with a former colleague feels like a lifeline to the person she used to be.
Tender and harrowing, Kilroy’s modern masterpiece portrays parenthood in all its agony and ardent joy.
This is all told from the perspective of the mother (Soldier) as if she is speaking to her son (Sailor). If you’re in the midst of those early years this might be a bit too much. I remember the rage, and the lost identity and the crushing fatigue. It’s very well-written and captures all of those feelings, the despair and the joy, how hard it is to get out of the house, the lack of support, etc.
I can’t remember where I first heard of this novel (I follow a lot of different blogs). Anyway, it was one of the first books I bought on my new Kobo.
Here’s the blurb …
A.J. Fikry meets The Bookish Life of Nina Hill in this charming, hilarious, and moving novel about the way books bring lonely souls together.
Two young lovers. Sixty long years. One bookish mystery worth solving.
Librarian Chloe Sampson has been struggling: to take care of her three younger siblings, to find herself, to make ends meet. She’s just about at the end of her rope when she stumbles across a rare edition of a book from the 1960s at the local flea market. Deciding it’s a sign of her luck turning, she takes it home with her—only to be shocked when her cranky hermit of a neighbor swoops in and offers to buy it for an exorbitant price. Intrigued, Chloe takes a closer look at the book only to find notes scribbled in the margins between two young lovers back when the book was new…one of whom is almost definitely Jasper Holmes, the curmudgeon next door.
When she begins following the clues left behind, she discovers this isn’t the only old book in town filled with romantic marginalia. This kickstarts a literary scavenger hunt that Chloe is determined to see through to the end. What happened to the two tragic lovers who corresponded in the margins of so many different library books? And what does it have to do with the old, sad man next door—who only now has begun to open his home and heart to Chloe and her siblings?
In a romantic tale that spans the decades, Chloe discovers that there’s much more to her grouchy old neighbor than meets the eye. And in allowing herself to accept the unexpected friendship he offers, she learns that some love stories begin in the unlikeliest of places.
This novel was lovely and charming. Full of bookish detail and sympathetic characters.
My book club’s theme of the month is red, and I have wanted to red this for a long time, so it was the perfect pairing.
Here’s the blurb …
At once a fiendishly devious mystery, a beguiling love story, and a brilliant symposium on the power of art, My Name Is Red is a transporting tale set amid the splendor and religious intrigue of sixteenth-century Istanbul, from one of the most prominent contemporary Turkish writers.
The Sultan has commissioned a cadre of the most acclaimed artists in the land to create a great book celebrating the glories of his realm. Their task: to illuminate the work in the European style. But because figurative art can be deemed an affront to Islam, this commission is a dangerous proposition indeed. The ruling elite therefore mustn’t know the full scope or nature of the project, and panic erupts when one of the chosen miniaturists disappears. The only clue to the mystery–or crime? –lies in the half-finished illuminations themselves. Part fantasy and part philosophical puzzle, My Name is Red is a kaleidoscopic journey to the intersection of art, religion, love, sex and power.
I enjoyed the Istanbul setting, the cultural and social history, and I found some of the stories told by non-human characters (the colour red, picture of a dog) to be funny and interesting. It has an interesting structure, chapters from different perspectives, a dead man, the murderer, etc. However, I found this to be very long and often very repetitive (I suspect there were subtle details in the retelling which would have revealed more, but they passed my by).
I managed to borrow this from the library using my Kobo – it was very easy. I have known about this book for a while and was keen to read it, but it took some time to get to it.
Here’s the blurb …
Winner of the Choix Goncourt Prize, Anne Berest’s The Postcard is a vivid portrait of twentieth-century Parisian intellectual and artistic life, an enthralling investigation into family secrets, and poignant tale of a Jewish family devastated by the Holocaust and partly restored through the power of storytelling.
January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz.
Fifteen years after the postcard is delivered, Anne, the heroine of this novel, is moved to discover who sent it and why. Aided by her chain-smoking mother, family members, friends, associates, a private detective, a graphologist, and many others, she embarks on a journey to discover the fate of the Rabinovitch family: their flight from Russia following the revolution, their journey to Latvia, Palestine, and Paris. What emerges is a moving saga that shatters long-held certainties about Anne’s family, her country, and herself.
This was a very interesting story, and I am very impressed at how Anne and her mother found all of the information. It’s a sad story and you have to wonder how much past trauma effects the next generation. Knowing what happens in WW2, I wanted them to stay in Palestine, and then leave France, sadly they just kept trying to do the right thing, assuming everyone would be decent people.
I had this on my Kindle for a long time. I had a couple of attempts but never got past the first chapter. Then I decided I needed to get it read, so I focused – 30 mins every day.
Here’s the blurb …
The Dud Avocado follows the romantic and comedic adventures of a young American who heads overseas to conquer Paris in the late 1950s. Edith Wharton and Henry James wrote about the American girl abroad, but it was Elaine Dundy’s Sally Jay Gorce who told us what she was really thinking.
Charming, sexy, and hilarious, The Dud Avocado gained instant cult status when it was first published and it remains a timeless portrait of a woman hell-bent on living.
“I had to tell someone how much I enjoyed The Dud Avocado. It made me laugh, scream, and guffaw (which, incidentally, is a great name for a law firm).” —Groucho Marx
“A cheerfully uninhibited…variation on the theme of the Innocents Abroad…Miss Dundy comes up with fresh and spirited comedy….Her novel is enormous fun—sparklingly written, genuinely youthful in spirit.” —The Atlantic
This was at times charming, funny and annoying. The final romance was a bit rushed, but otherwise if was a fun, mostly light-hearted romp (and don’t worry you will eventually learn why it’s called The Dud Avocado)
A review (Rachel Cooke wrote the introduction to the edition that I read – it is similar to this review)
I am going to Bayeux this year – I was meant to go in 2020, but that wasn’t to be, so this is the year. I am very keen to see the Bayeux Tapestry (and yes I know it’s not a tapestry).
This is the latest of several books on the tapestry that I have read.
Here’s the blurb …
The Bayeux Tapestry is the world’s most famous textile–an exquisite 230-foot-long embroidered panorama depicting the events surrounding the Norman Conquest of 1066. It is also one of history’s most mysterious and compelling works of art. This haunting stitched account of the battle that redrew the map of medieval Europe has inspired dreams of theft, waves of nationalism, visions of limitless power, and esthetic rapture. In his fascinating new book, Yale professor R. Howard Bloch reveals the history, the hidden meaning, the deep beauty, and the enduring allure of this astonishing piece of cloth.
Bloch opens with a gripping account of the event that inspired the Tapestry: the swift, bloody Battle of Hastings, in which the Norman bastard William defeated the Anglo-Saxon king, Harold, and laid claim to England under his new title, William the Conqueror. But to truly understand the connection between battle and embroidery, one must retrace the web of international intrigue and scandal that climaxed at Hastings. Bloch demonstrates how, with astonishing intimacy and immediacy, the artisans who fashioned this work of textile art brought to life a moment that changed the course of British culture and history.
Every age has cherished the Tapestry for different reasons and read new meaning into its enigmatic words and images. French nationalists in the mid-nineteenth century, fired by Tapestry’s evocation of military glory, unearthed the lost French epic “The Song of Roland,” which Norman troops sang as they marched to victory in 1066. As the Nazis tightened their grip on Europe, Hitler sent a team to France to study the Tapestry, decode its Nordic elements, and, at the end of the war, with Paris under siege, bring the precious cloth to Berlin. The richest horde of buried Anglo-Saxon treasure, the matchless beauty of Byzantine silk, Aesop’s strange fable “The Swallow and the Linseed,” the colony that Anglo-Saxon nobles founded in the Middle East following their defeat at Hastings–all are brilliantly woven into Bloch’s riveting narrative.
Seamlessly integrating Norman, Anglo-Saxon, Viking, and Byzantine elements, the Bayeux Tapestry ranks with Chartres and the Tower of London as a crowning achievement of medieval Europe. And yet, more than a work of art, the Tapestry served as the suture that bound up the wounds of 1066.
Enhanced by a stunning full-color insert that includes reproductions of the complete Tapestry, A Needle in the Right Hand of God will stand with The Professor and the Madman and How the Irish Saved Civilization as a triumph of popular history.
This book covers European history around the time of the conquest, prior to the conquest and up to the First Crusade. The author has a theory that the First Crusade is the second Norman Conquest and that the tapestry looks forward to the Crusade. He writes about the ‘tapestry maker’ and what might have been the sources for the design and motifs. I need to read it with images of the tapestry, so I can gain a better understanding. This had a wider view than the previous books I had read; The Story of the Bayeux Tapestry – Musgrove and Lewis, and The Bayeux Tapestry Carolina Hicks.
I have had a kindle version of this for a while, I do like a book that encourages taking it easy.
Here’s the blurb …
Any given day brings a never-ending list of things to do. There’s the work thing, the catch-up thing, the laundry thing, the creative thing, the exercise thing, the family thing, the thing we don’t want to do, and the thing we’ve been putting off, despite it being the most important thing. Even on days when we get a lot done, the thing left undone can leave us feeling guilty, anxious, or disappointed.
After five years of searching for the secret to productivity, Madeleine Dore discovered there isn’t one. Instead, we’re being set up to fail. I Didn’t Do the Thing Today is the inspiring call to take productivity off its pedestal—by dismantling our comparison to others, aspirational routines, and the unrealistic notions of what can be done in a day, we can finally embrace the joyful messiness and unpredictability of life.
For anyone who has ever felt the pressure to do more, be more, achieve more, this antidote to our doing-obsession is the permission slip we all need to find our own way.
This book is good for anyone who gets a bit obsessed about their to do list, or their routine (I am guilty of that – although I do need a bit of structure in my day). We all only have 24 hours a day and we need to prioritise them to suit ourselves and not the rest of the world.
I saw this book at my local book store and had to read it. In the Venn diagram of maths and literature, I thought I was alone in the intersection.
Here’s the blurb …
We often think of mathematics and literature as polar opposites. But what if, instead, they were fundamentally linked? In this insightful, laugh-out-loud funny book, Once Upon a Prime, Professor Sarah Hart shows us the myriad connections between maths and literature, and how understanding those connections can enhance our enjoyment of both.
Did you know, for instance, that Moby-Dick is full of sophisticated geometry? That James Joyce’s stream-of-consciousness novels are deliberately checkered with mathematical references? That George Eliot was obsessed with statistics? That Jurassic Park is undergirded by fractal patterns? That Sir Arthur Conan Doyle and Chimamanda Ngozi Adichie wrote mathematician characters?
From sonnets to fairytales to experimental French literature, Once Upon a Prime takes us on an unforgettable journey through the books we thought we knew, revealing new layers of beauty and wonder. Professor Hart shows how maths and literature are complementary parts of the same quest, to understand human life and our place in the universe.
It was a great – a lot of food for thought and a list of more books to read.