Monthly Archives: March 2013

The Rosie Project – Graeme Simsion

The Rosie Project - Graeme Simsion

The Rosie Project – Graeme Simsion

I read a review in The Australian and then a friend recommended, so I had to read it. And I am glad I did – it is hilarious!

Here is the blurb …

Meet Don Tillman.

Don is getting married.

He just doesn’t know who to yet.

But he has designed a very detailed questionnaire to help him find the perfect woman.

One thing he already knows, though, is that it’s not Rosie.

Absolutely, completely, definitely not.

Telling the story of Rosie and Don, Graeme Simsion’s The Rosie Project is an international phenomenon, sold in over thirty countries – and counting.

Don Tillman is a socially challenged genetics professor who’s decided the time has come to find a wife. His questionnaire is intended to weed out anyone who’s unsuitable. The trouble is, Don has rather high standards and doesn’t really do flexible so, despite lots of takers – he looks like Gregory Peck – he’s not having much success in identifying The One.

When Rosie Jarman comes to his office, Don assumes it’s to apply for the Wife Project – and duly discounts her on the grounds she smokes, drinks, doesn’t eat meat, and is incapable of punctuality. However, Rosie has no interest in becoming Mrs Tillman and is actually there to enlist Don’s assistance in a professional capacity: to help her find her biological father.

Sometimes, though, you don’t find love: love finds you…

 I keep recommending this book to everyone – it is light and funny, but well-written. Don reminds me of Sheldon (from the Big Bang Theory). He obviously lies somewhere on the autistic spectrum and he is aware that he is ‘wired differently’. He embarks on a project to find a wife – he is intelligent, earns good money he should be able to find someone with whom to reproduce. He doesn’t want to waste any time meeting the wrong woman, so he devises a sixteen page questionnaire (that’s right 16 pages!) he wants to avoid previous mishaps like the ice cream flavour incident. Don thinks Rosie visits his office as part of the Wife Project and promptly asks her out to dinner. Not one to look a gift horse in the mouth Rosie accepts on condition that they go to an expensive restaurant (this involves Don hacking into their reservation system to get a table at such short notice). Their adventure begins. As Don is so socially inept, the reader feels they know more about what is going on between him and Rosie than he does.

This is a really quick read and it’s lots of fun.

More reviews …

http://www.smh.com.au/entertainment/books/the-rosie-project-20130222-2ewaz.html

http://www.guardian.co.uk/books/2013/feb/23/aspergers-novel-1m-debut

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Scenes of a Clerical Life – George Eliot

Scenes of a Clerical Life - George Eliot

Scenes of a Clerical Life – George Eliot

I’ve read Mill on the Floss and Middlemarch and would describe myself as a George Eliot fan. However, I must admit I struggled with this one. Scenes of Early Death would be a more descriptive title. It is three longish short stories (or maybe novellas) in one novel all featuring clergymen.

Here is the plot summary from Wikipedia

The Sad Fortunes of the Reverend Amos Barton

The titular character is the new curate of the parish church of Shepperton, a village near Milby. A pious man, but “sadly unsuited to the practice of his profession”,[19] Barton attempts to ensure that his congregation remains firmly within the care of the Church of England. His stipend is inadequate, and he relies on the hard work of Milly, his wife, to help keep the family. Barton is new to the village and subscribes to unpopular religious ideas; not all of the congregation accept him, but he feels that it is especially important to imbue them with what he sees as orthodox Christian views.

Barton and Milly become acquainted with Countess Caroline Czerlaski. When the Countess’ brother, with whom she lives, gets engaged to be married to her maid, she leaves home in protest. Barton and his wife accept the Countess into their home, much to the disapproval of the congregation, who assume her to be his mistress. The Countess becomes a burden on the already stretched family, accepting their hospitality and contributing little herself. With Milly pregnant and ill, the children’s nurse convinces the Countess to leave.

Milly dies following the premature birth of her baby (who also dies) and Barton is plunged into sadness at the loss. Barton’s parishioners, who were so unsympathetic to him as their minister, support him and his family in their grief: “There were men and women standing in that churchyard who had bandied vulgar jests about their pastor, and who had lightly charged him with sin, but now, when they saw him following the coffin, pale and haggard, he was consecrated anew by his great sorrow, and they looked at him with respectful pity”. Just as Barton is beginning to come to terms with Milly’s death, he get more bad news: the vicar, Mr. Carpe, will be taking over at Shepperton church. Barton is given six-months notice to leave. He has no choice but to comply, but is disheartened, having at last won the sympathies of the parishioners. Barton believes that the request was unfair, knowing that the vicar’s brother-in-law is in search of a new parish in which to work. However, he resigns himself to the move and at length obtains a living in a distant manufacturing town.

The story concludes twenty years later with Barton at his wife’s grave with one of his daughters: Patty. In the intervening years much has changed for Barton; his children have grown up and gone their separate ways. His son Richard is particularly mentioned as having shown talent as an engineer. Patty remains with her father.

Mr. Gilfil’s Love Story

The second work in Scenes of Clerical Life is entitled “Mr. Gilfil’s Love-Story” and concerns the life of a clergyman named Maynard Gilfil. We are introduced to Mr Gilfil in his capacity as the vicar of Shepperton, ‘thirty years ago’ (presumably the late 1820s) but the central part of the story begins in June 1788 and concerns his youth, his experiences as chaplain at Cheverel Manor and his love for Caterina Sarti. Caterina, known to the family as ‘Tina’, is an Italian orphan and the ward of Sir Christopher and Lady Cheverel, who took her into their care following the death of her father. In 1788 she is companion to Lady Cheverel and a talented amateur singer.[20]

Arbury Hall, where Eliot’s father was estate manager, and the model for Cheverel Manor[21]

Gilfil’s love for Tina is not reciprocated; she is infatuated with Captain Anthony Wybrow, nephew and heir of Sir Christopher Cheverel. Sir Christopher intends Wybrow to marry a Miss Beatrice Assher, the daughter of a former sweetheart of his, and that Tina will marry Gilfil. Wybrow, aware of and compliant to his uncle’s intentions, nonetheless continues to flirt with Tina, causing her to fall deeply in love with him. This continues until Wybrow goes to Bath in order to press his suit to Miss Assher. He is then invited to the Asshers’ home, and afterwards returns to Cheverel Manor, bringing with him Miss Assher and her mother. Wybrow dies unexpectedly. Gilfil, finding a knife on Tina, fears that she has killed him, but the cause of death is in fact a pre-existing heart complaint. Tina runs away, and Gilfil and Sir Christopher fear that she has committed suicide. However, a former employee of Sir Christopher and Lady Cheverel returns to the manor to inform them that Tina has taken refuge with him and his wife. Gilfil seeks her out, helps her recover and marries her. It is hoped that marriage and motherhood, combined with Gilfil’s love for her, which she now reciprocates, will endue her with a new zest for life. However, she dies in childbirth soon afterwards,[22] leaving the curate to live out the rest of his life alone and die a lonely man.[3][20]

 Janet’s Repentance

Janet’s Repentance is the only story in Scenes of Clerical Life set in the town of Milby itself. Following the appointment of Reverend Mr Tryan to the chapel of ease at Paddiford Common, Milby is deeply divided by religious strife. One party, headed by the lawyer Robert Dempster, vigorously supports the old curate, Mr Crewe; the other is equally biased in favour of the newcomer. Edgar Tryan is an evangelical, and his opponents consider him to be no better than a dissenter. Opposition is based variously in doctrinal disagreement and on a suspicion of cant and hypocrisy on the part of Mr Tryan; in Dempster’s wife, Janet, however, it stems from an affection for Mr Crewe and his wife, and the feeling that it is unkind to subject them to so much stress in their declining years. She supports her husband in a malicious campaign against Mr Tryan, despite the fact that Dempster is frequently drunkenly abusive to her, which drives her to drink in turn. One night her husband turns her out of the house; she takes refuge with a neighbour, and, remembering an encounter with Mr Tryan at the sickbed of one of his flock, where she was struck by an air of suffering and compassion about him, asks he might come to see her. He encourages her in her struggle against her dependence on alcohol and her religious conversion. Shortly afterwards Robert Dempster is thrown from his gig and seriously injured. Upon discovering what has happened, Janet, forgiving him, returns to her home and nurses him through the subsequent illness until he dies a few weeks later. Tryan continues to guide Janet toward redemption and self-sufficiency following the death of her husband. She, in turn, persuades him to move out of his inhospitable accommodation and into a house that she has inherited. It is hinted that a romantic relationship might subsequently develop between the two. His selfless devotion to his needy parishioners has taken his toll on his health, however, and he succumbs to consumption and dies young.

There is a lot of religion in this novel (I guess I shouldn’t be surprised with a title like Scenes of a Clerical life) particularly in the final story Janet’s Repentance. I think a modern secular audience would struggle with the ideology. I was surprised to read in the introduction (to the Penguin edition) that George Eliot was herself an Atheist.

There are beautiful descriptions of scenery and the characters and dialogue are spectacular. The world of Milby and its environs seems very real – the characters leap of the page (I’m sure we recognise some of our acquaintances or ourselves). There is a bit of authorial intrusion, which I found annoying and a bit patronising. For example, here is the start of Chapter Five of  The Sad Fortunes of Amos Barton.

The Rev. Amos Barton, whose sad fortunes I have undertaken to relate, was, you perceive, in no respect an ideal or exceptional character; and perhaps I am doing a bold thing to bespeak your sympathy on behalf of a man who was so very far from remarkable,—a man whose virtues were not heroic, and who had no undetected crime within his breast; who had not the slightest mystery hanging about him, but was palpably and unmistakably commonplace; who was not even in love, but had had that complaint favourably many years ago. ‘An utterly uninteresting character!’ I think I hear a lady reader exclaim—Mrs. Farthingale, for example, who prefers the ideal in fiction; to whom tragedy means ermine tippets, adultery, and murder; and comedy, the adventures of some personage who is quite a ‘character’.

But, my dear madam, it is so very large a majority of your fellow-countrymen that are of this insignificant stamp. At least eighty out of a hundred of your adult male fellow-Britons returned in the last census are neither extraordinarily silly, nor extraordinarily wicked, nor extraordinarily wise; their eyes are neither deep and liquid with sentiment, nor sparkling with suppressed witticisms; they have probably had no hairbreadth escapes or thrilling adventures; their brains are certainly not pregnant with genius, and their passions have not manifested themselves at all after the fashion of a volcano. They are simply men of complexions more or less muddy, whose conversation is more or less bald and disjointed. Yet these commonplace people—many of them—bear a conscience, and have felt the sublime prompting to do the painful right; they have their unspoken sorrows, and their sacred joys; their hearts have perhaps gone out towards their first-born, and they have mourned over the irreclaimable dead. Nay, is there not a pathos in their very insignificance—in our comparison of their dim and narrow existence with the glorious possibilities of that human nature which they share?

Depend upon it, you would gain unspeakably if you would learn with me to see some of the poetry and the pathos, the tragedy and the comedy, lying in the experience of a human soul that looks out through dull grey eyes, and that speaks in a voice of quite ordinary tones. In that case, I should have no fear of your not caring to know what farther befell the Rev. Amos Barton, or of your thinking the homely details I have to tell at all beneath your attention. As it is, you can, if you please, decline to pursue my story farther; and you will easily find reading more to your taste, since I learn from the newspapers that many remarkable novels, full of striking situations, thrilling incidents, and eloquent writing, have appeared only within the last season.

 However, I can see a progression from these stories (her first) to Middlemarch.

More reviews …

http://www.theatlantic.com/past/docs/unbound/classrev/clerical.htm

http://tonysreadinglist.blogspot.com.au/2009/08/61-scenes-from-clerical-life-by-george.html

Here is a letter Dickens wrote to Eliot on reading Scenes of a Clerical Life

http://theamericanreader.com/18-january-1858-charles-dickens-to-george-eliot/

 

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The Light Between Oceans – M L Stedman

Light Between Oceans - M L Stedman

Light Between Oceans – M L Stedman

This novel was highly recommended by a number of my friends. I’ve delayed writing about it because, even now, I’m not sure what I think. I am certainly thinking about it, which must be a sign of a well-written novel, but I find the plot disturbing.

Here’s the blurb …

This is a story of right and wrong, and how sometimes they look the same.

1926. Tom Sherbourne is a young lighthouse keeper on a remote island off Western Australia. The only inhabitants of Janus Rock, he and his wife Isabel live a quiet life, cocooned from the rest of the world. One April morning a boat washes ashore carrying a dead man and a crying infant – and the path of the couple’s lives hits an unthinkable crossroads. Only years later do they discover the devastating consequences of the decision they make that day – as the baby’s real story unfolds …

M L Stedman’s debut is a mesmerising novel of love and loss and unbearable choices.

 Being Western Australian, I enjoyed all of the references to place and I think Ms Stedman creates a wonderful sense of place – Janus Rock, the bush around Partageuse, the workers’ cottages. There are some wonderful characters as well – steadfast Tom feeling guilty for having survived World War 1, the police officer who didn’t enlist and now needs to prove he is as much a man as those that did, and flighty Isabel.

I don’t want to reveal too much of the story, but my sympathies lie with Hannah (the infant’s mother) and I wonder what on earth were they thinking? I don’t think it is ‘a story of right and wrong, and how sometimes they look the same’. It was wrong. I do have sympathy for Isabel and Tom, but sometimes life is hard and you need to get on with things. As you can see, I find the story conflicting.

More reviews …

http://www.smh.com.au/entertainment/books/the-light-between-oceans-20120414-1x05y.html

http://www.abc.net.au/tv/firsttuesday/s3470207.htm

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A French Affair – Katie Fforde

A French Affair - Katie Fforde

A French Affair – Katie Fforde

Katie Fforde’s new book is out. She has even won an award.

I have read all of Ms Fforde’s novels (like this one or this one) – they’re a light, fun, easy read, but still well-written. This one, to my mind, seems a return to her best form. My copy arrived on Friday and I finished it on Sunday (perfect lazy Sunday reading).

Gina and Sally Makepiece have inherited a stall in the French House – an antiques centre nestled in the heart of the English countryside.

Gina is determined to drag the French House and its grumpy owner into the twenty-first century. Bearing all the attributes of a modern-day Mr Rochester, Matthew Ballinger is less than happy with the whirlwind that has arrived on his doorstep.

The last thing either of them want is to fall in love.

But will a trip to France change their minds?

If you like romance novels (without graphic sex scenes), then this novel is for you.

 

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Short History of Tractors in Ukrainian – Marina Lewycka

A Short History of Tractors in Ukrainian - Marina Lewycka

A Short History of Tractors in Ukrainian – Marina Lewycka

This novel has been sitting in my tbr pile for a very long time and I finally decided to read it – I was looking for something fun.

There were a few laugh out loud moments and the tractor history was quite informative (I learnt about the dust bowl crisis in America – caused by too much ploughing and drought).

Here is the blurb …

For years, Nadezhda and Vera, two Ukrainian sisters, raised in England by their refugee parents, have had as little as possible to do with each other – and they have their reasons. But now they find they’d better learn how to get along, because since their mother’s death their aging father has been sliding into his second childhood, and an alarming new woman has just entered his life. Valentina, a bosomy young synthetic blonde from the Ukraine, seems to think their father is much richer than he is, and she is keen that he leave this world with as little money to his name as possible. If Nadazhda and Vera don’t stop her, no one will. But separating their addled and annoyingly lecherous dad from his new love will prove to be no easy feat – Valentina is a ruthless pro and the two sisters swiftly realize that they are mere amateurs when it comes to ruthlessness. As Hurricane Valentina turns the family house upside down, old secrets come falling out, including the most deeply buried one of them all, from the War, the one that explains much about why Nadazhda and Vera are so different. In the meantime, oblivious to it all, their father carries on with the great work of his dotage, a grand history of the tractor.

There are themes that run through my reading – usually coincidentally – at the moment I seem to be reading about children of holocaust survivors – Lola Bensky – and now this one. Although the holocaust only had a minor role in this novel – it explains Vera’s disdain for her father (but I won’t spoil the story for you). Valentina wants to move to England and become a citizen and she sees the sisters’ dad as the means to achieve this desire. He is a bit confused, a bit secretive and captured by her breasts! Valentina demands a western lifestyle – new car, new cooker, etc. The sisters want her deported, the dad swings between wanting her gone and wanting her to stay and then there are the ex-husband, the publican and the neighbour all who appear to be in love with her.

I can imagine this novel as a quirky film. Most of the comedy arises from Valentina’s broken English – “Ýou no good man. You plenty-money meanie. Promise money. Money sit in bank. Promise car. Crap car.” Alongside these hilarious moments are dark events – the work camps and the interrogation of the sisters’ grandmother, which is brought about by the dad inventing a dodgy brother in law.

More reviews …

http://www.theage.com.au/news/Reviews/A-Short-History-of-Tractors-in-Ukrainian/2005/05/19/1116361670048.html

http://karenrbrooks.com/blog/?p=768

 

 

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