Category Archives: Serious

The Year of the Flood – Margaret Atwood

yearoftheflood

I’m a keen Margaret Atwood fan so I couldn’t wait to get my hands on this week. Being slightly more organised that normal, I re-read Oryx and Crake (although I think The Year of the Flood can be read without having first read Oryx and Crake).

The way Atwood uses language is breath taking – it must be the poet in her. The name of the companies are fabulous, i.e  HelthWyzer and the genetic splices (lion and lamb, raccoon and skunk).

It is much easier to feel sympathy for the characters in this novel. Let’s face it – Snowman and Crake were very unpleasant.

Adam One, the kindly leader of the God’s Gardeners – a religion devoted to the melding of science, religion, and nature – has long predicted a disaster. Now it has occurred, obliterating most human life. Two women remain: Ren, a young dancer locked away in a high-end sex club, and Toby, a former God’s Gardener, who barricades herself inside a luxurious spa. Have others survived? Ren’s bio-artist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers? Not to mention the CorpSeCorps, the shadowy policing force of the ruling powers… As Adam One and his beleaguered followers regroup, Ren and Toby emerge into an altered world, where nothing – including the animal life – is predictable.

 Atwood has created a (scarily) realistic world where commerce reigns supreme. I think it is very easy to see how we get from here (where we are now) to there. This novel is a bit more hopeful than Oryx and Crake or perhaps I should say less bleak. The survivors might just be able to stay alive and start a new civilization although I’m a bit worried about the torch bearers at the end.

In all honesty I do have to say that I liked her earlier works better.

http://dovegreyreader.typepad.com/dovegreyreader_scribbles/2009/09/the-event.html

http://shelf-monkey.blogspot.com/2009/10/monkey-droppings-year-of-flood-by.html

http://overbookedlibrarian.wordpress.com/2009/10/16/the-year-of-the-flood-by-margaret-atwood/

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Breathing Lessons – Anne Tyler

breathinglessons

I’ve been making an effort to get books from the library and this is one I found while browsing (I was looking for Sarah Waters). It one the 1989 Pulitzer Prize for fiction.

I liked this one – Maggie is so annoying. She interferes with the best of intentions and then just makes every thing worse. The characters are fabulous and the situations so believable. Ms Tyler works on a small canvas – not many characters and people don’t move far from their hometown. A bit like Austen’s ‘three or four families in a country village’.

Here is the blurb …

Maggie and Ira Moran have been married for twenty-eight years–and it shows: in their quarrels, in their routines, in their ability to tolerate with affection each other’s eccentricities. Maggie, a kooky, lovable meddler and an irrepressible optimist, wants nothing more than to fix her son’s broken marriage. Ira is infuriatingly practical, a man “who should have married Ann Landers.” And what begins as a day trip to a funeral becomes an adventure in the unexpected. As Maggie and Ira navigate the riotous twists and turns, they intersect with an assorted cast of eccentrics–and rediscover the magic of the road called life and the joy of having somebody next to you to share the ride . . . bumps and all.
This is a novel for people (like me) who don’t need a lot of action, but like to see the plot slowly unfold and reveal more and more about the characters.
Here are some other sites that might be of interest.

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Sixty Lights – Gail Jones

sixtylights

My book club chose this book because the author is Western Australian and it was reviewed as being one of the ‘must reads’.

It had a lovely visual quality and the writing was simple, but eloquent.

Here is the publisher’s blurb …

‘Photography has without doubt made her a seer; she is a woman of the future, someone leaning into time, beyond others, precarious, unafraid to fall…’

This is the story of Lucy Strange, a photographer, while the art is in its infancy, in the 1870s, who exists in an extraordinarily heightened state of seeing and imagining. Her tale is told in sixty illuminated parts – using candlelight, flames, lightning, gas-lamps, mirrors, magic lanterns and, most mysteriously, lit faces and bodies. In a contracted, almost modernist form, SIXTY LIGHTS tracks Lucy’s life from her childhood in Australia, to her stormy adolescence in England and India and finally to her death in London at the age of twenty-three. It is a life abbreviated, but not a life diminished: she is a remarkable character, forthright, gifted, passionate and canny. SIXTY LIGHTS plays powerfully with Victorian tropes and texts – orphans, inheritances, Great Expectations – setting them against the technological revolution in seeing that is inspired by photography. Written with astute imagistic precision, the story is deeply layered, fluctuating between past, present and future. This is an impressive UK debut from a prize-winning Australian author.

There are sixty chapters – hence the title Sixty Lights – each chapter is like a photograph or still life – little snippets from Lucy’s life, which together make a compelling and interesting story.

I’ll definitely be looking for more of her work.

Here are some other reviews …

http://www.theage.com.au/articles/2004/08/18/1092765003194.html?from=storyrhs

http://www.culturewars.org.uk/2004-02/sixty.htm

http://kimbofo.typepad.com/readingmatters/2006/05/sixty_lights_by.html

Here is an interview with Gail Jones

http://www.abc.net.au/rn/arts/bwriting/stories/s1330197.htm

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Wolf Hall – Hilary Mantel

wolf_hall

This is an enormous novel – difficult to read in bed. It is on the Man Booker 2009 Short List. This is partly why I wanted to read it, but mostly I was interested in the story.

Here’s the synopsis from the publisher …

Shortlisted for the Man Booker Prize 2009 ‘Lock Cromwell in a deep dungeon in the morning,’ says Thomas More, ‘and when you come back that night he’ll be sitting on a plush cushion eating larks’ tongues, and all the gaolers will owe him money.’

England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey’s clerk, and later his successor. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. Ruthless in pursuit of his own interests, he is as ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages. From one of our finest living writers, ‘Wolf Hall’ is that very rare thing: a truly great English novel, one that explores the intersection of individual psychology and wider politics. With a vast array of characters, and richly overflowing with incident, it peels back history to show us Tudor England as a half-made society, moulding itself with great passion, suffering and courage.

Ms Mantel uses an interesting device in that she refers to the protagonist (Thomas Cromwell) as ‘he’. This was a bit confusing at times – I kept wondering which he?

I found this story compelling – despite being over 600 pages long my interest never flagged. I know nothing about this period in history and found all of the ‘wheeling and dealing’ fascinating. In particular, I had no idea how involved the church was with state affairs. Ms Mantel makes the world of Tudor England tantalizingly real. I was sorry when it ended I wanted to know what happened next. I did do an Internet search on Thomas Cromwell and was disappointed to learn that he was executed (so maybe Ms Mantel was wise to end it when she did).

I’ve now read two of the six Man Booker short listed titles (Wolf Hall and The Children’s Book). Out of those two I thought The Children’s Bookwas better.  Being Australian, I should read Coetzee next, but I’ll probably read Sarah Waters.

Here are some other reviews …

http://www.guardian.co.uk/books/2009/may/02/wolf-hall-hilary-mantel

http://jaiarjun.blogspot.com/2009/09/lion-in-springtime-hilary-mantels-wolf.html

http://dovegreyreader.typepad.com/dovegreyreader_scribbles/2009/07/wolf-hall-by-hilary-mantel.html

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Fingersmith – Sarah Waters

fingersmith

A few years ago I saw an adaptation of Fingersmith and I really like it. I always meant to read it and the other day I found it at the library.

There is quite a complicated plot and if I write too much I will spoil the story. This is what they say at the sarah waters website:

London 1862. Sue Trinder, orphaned at birth, grows up among petty thieves – fingersmiths – under the rough but loving care of Mrs Sucksby and her ‘family’.  But from the moment she draws breath, Sue’s fate is linked to that of another orphan growing up in a gloomy mansion not too many miles away.

This novel has quite a Dickensian feel to it – sprawling story, Victorian squalor and descriptive names (Mrs Sucksby). The setting is very well described; I can imagine the kitchen in Lant St and the library at Briar. Susan and Maud both tell the story and this is an effective technique to keep up the suspense. In some places – where the story was retold from Maud’s point of view – I found it slow going (and I admit I did skip a few pages). I also found the end dragged a bit – perhaps a bit more editing?

However, I thought the story was fabulous and definitely worth reading.

Here are some more reviews:

http://anothercookiecrumbles.wordpress.com/2009/08/31/sarah-waters-fingersmith/

http://orangeprizeproject.blogspot.com/2009/07/fingersmith-by-sarah-waters-jill.html

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Breath – Tim Winton

australian_breath_cover

I’ve only read one Tim Winton novel The Ridersand I hated it. However, my mum passed this one onto me and my book club were keen to read it, so I took a deep breath (no pun intended – or maybe just a little) and read it.

Here’s the blurb …

When paramedic Bruce Pike is called out to deal with another teen aged adventure gone wrong, he knows better than his partner – better than the parents – what happened and how. Thirty years before, that dead boy could have been him.

Living in Perth, I loved the Australian references – meeting at the servo and the cold sausages in the fridge, Bill Sanderson being called Sando. I also kept thinking about what town Sawyer was based on – was it Walpole or Margaret River or somewhere else entirely.

This was a quick and easy read and for me it was all about plot. I raced to the end because I wanted to find out Pikelet’s fate. I’ve never really understood the surfing obsession and this novel highlighted that for me. If you’re at all interested in surfing it’s worth reading for all of the surfing stories.

I found the final third of the novel  – the aftermath of the amazing summer of surfing (amongst other things) slow going. Pikelet’s life had been derailed – he couldn’t maintain relationships, he drank too much and was addicted to risk taking (looking for the next adrenalin rush).

I would recommend this novel, but I won’t be reading it again.

Here are a few reviews …

http://www.guardian.co.uk/books/2008/may/10/fiction5

http://www.readings.com.au/review/breath-tim-winton

http://www.theaustralian.news.com.au/story/0,25197,23620233-25132,00.html

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The Children’s Book – A S Byatt

thechildrensbook

A S Byatt is one of my favourite authors. I loved Possession and the quartet starting with The Virgin in the Garden. They’re so rich and finely detailed. Full of interesting people whose fate I care about.

I read The Children’s Booktwice because it was dense. Packed full of information about all sorts of interesting things; information about poetry, jewellery making, Fabianism, popular culture in the late Victorian and Edwardian era.

Here is what the Publisher writes about it …

From the renowned author of Possession, The Children’s Book is the absorbing story of the close of what has been called the Edwardian summer: the deceptively languid, blissful period that ended with the cataclysmic destruction of World War I. In this compelling novel, A.S. Byatt summons up a whole era, revealing that beneath its golden surface lay tensions that would explode into war, revolution and unbelievable change — for the generation that came of age before 1914 and, most of all, for their children.

The novel centres around Olive Wellwood, a fairy tale writer, and her circle, which includes the brilliant, erratic craftsman Benedict Fludd and his apprentice Phillip Warren, a runaway from the poverty of the Potteries; Prosper Cain, the soldier who directs what will become the Victoria and Albert Museum; Olive’s brother-in-law Basil Wellwood, an officer of the Bank of England; and many others from every layer of society. A.S. Byatt traces their lives in intimate detail and moves between generations, following the children who must choose whether to follow the roles expected of them or stand up to their parents’ “porcelain socialism.”

Olive’s daughter Dorothy wishes to become a doctor, while her other daughter, Hedda, wants to fight for votes for women. Her son Tom, sent to an upper-class school, wants nothing more than to spend time in the woods, tracking birds and foxes. Her nephew Charles becomes embroiled with German-influenced revolutionaries. Their portraits connect the political issues at the heart of nascent feminism and socialism with grave personal dilemmas, interlacing until The Children’s Book becomes a perfect depiction of an entire world.

Olive is a fairy tale writer in the era of Peter Pan and Kenneth Grahame’s The Wind In the Willows, not long after Alice’s Adventures in Wonderland. At a time when children in England suffered deprivation by the millions, the concept of childhood was being refined and elaborated in ways that still influence us today. For each of her children, Olive writes a special, private book, bound in a different colour and placed on a shelf; when these same children are ferried off into the unremitting destruction of the Great War, the reader is left to wonder who the real children in this novel are.

The Children’s Book is an astonishing novel. It is an historical feat that brings to life an era that helped shape our own as well as a gripping, personal novel about parents and children, life’s most painful struggles and its richest pleasures. No other writer could have imagined it or created it.

They do a much better job at summarising the plot than I do.

This novel had an interesting pace. It started of slow and speed up to a rapid speed by the end – bit like life really. As a child summer holidays seem to last for ever and as an adult they seem to be over in a blink of an eye.

I know I’m not going to do this novel justice in trying to write a review, so I shall keep it brief.

I love how she gets inside people’s heads and writes their inner most thoughts and feelings. For example,

She sensed that Methley did not know how to deal with the owners of the cafe to which he had so confidently brought her. He looked a fool, and she would never forgive him for that. She noted that he looked as though he had had to pay more than was comfortable for him.

I loved all of the social history; reading about the first performance of  Peter Pan,  just how difficult it was for women to study (and to become doctors), different glazes and how an air bubble in a pot can destroy not only that firing but the kiln as well.

However, I did not like this novel as much as her previous works.

Here are some other reviews (much better than mine) …

http://dovegreyreader.typepad.com/dovegreyreader_scribbles/2009/05/the-childrens-book-by-asbyatt.html

http://www.thingsmeanalot.com/2009/08/childrens-book-by-as-byatt.html

http://catpolitics.blogspot.com/2009/07/childrens-book-by-s-byatt.html

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The Lost Life – Steven Carroll

thelostlife

This book was picked by another member of my book club based on a review in The Australian.

Steven Carroll won the Miles Franklin award in 2008 for The Time We Have Taken.

We all decided we should read something Australian – although this one is set entirely in England.

Here’s the blurb …

England, September 1934

Two young lovers, Catherine and Daniel, have trespassed into the rose garden of Burnt Norton, an abandoned house in the English countryside. Hearing the sound of footsteps, they hide, and then witness the poet T.S. (?Tom?) Eliot and his close friend Emily enter the garden and bury a mysterious tin in the earth.

Tom and Emily knew each other in America in their youth; now in their forties, they have come together again. But Tom is married, and his wife has no intention of letting him go. What is it that binds Tom and Emily together? What happens when the muse steps out of the shadows?

In the enclosed world of an English village one autumn, their story becomes entwined with that of Catherine and Daniel, who are certain in their newfound love and full of possibility.

From one of Australia?s finest writers, this is a moving, lyrical novel about poetry and inspiration, the incandescence of first love and the yearning for a life that may never be lived.

This novel just felt awkward to me. The writing didn’t flow and at times the narrative jumped around in time. For example, the description of the secret ceremony was told from two different points of view, but the transition from the first to the second was clumsy.

Most of this novel is written from a female perspective and I didn’t fine Catherine or Emily Hale’s inner thoughts at all believable (more like wishful thinking on the part of the author).

For example,

It is a woman, or was once a woman. For this young woman, Catherine, is making old, old sounds, sounds that existed long before houses and estates and trimmed rose gardens. Long before sweet music, stained-glass windows that glow with a touch of heaven, or even fine uplifting words that allow us to rise above it all, for it is a sound that goes back beyond words. It is a sound that takes us back to the grunt and the moan.

These are Emily’s thoughts when she overhears Catherine and Daniel making love in the next bedroom (a situation engineered by Emily).

I did, however, appreciate some of Catherine’s insights. Such as

Poems, novels, short stories, Catherine would say[…], give people the lives they will never live and fill them with a yearning for something  else, something more. A way of living in the world that doesn’t yet exist. Doesn’t yet exist, but dreaming about it just might make it so.

My overwhelming conclusion after reading this novel is that Steven Carroll must be a baby boomer! He must have lived through the sexual revolution – my mother in law would probably love this book.

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Revolutionary Road – Richard Yates

Well I finished and my thoughts are in a bit of a muddle. My first thought was that I hated the ended (and that only a man could come up with that ending). However, I’ve left it to simmer in my mind for a bit before deciding definitely if I liked it or not.

I thought Frank’s interior thoughts were brilliantly written (it is unusual for me to read a book with a – predominately – male point of view) and it was worth reading simply for the portrayal of the Wheeler’s relationship – such an earnest young couple.

Having written that I still found the ending too disturbing to recommend this novel to anyone.

I really bought this novel because I was keen to see the movie – I probably won’t see the movie now.

Here are some links for more…

http://en.wikipedia.org/wiki/Revolutionary_Road

http://thebookladysblog.com/2008/12/10/book-review-revolutionary-road-by-richard-yates/

Next up The Secret Scriptures by Sebastian Barry.

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Revolutionary Road – Richard Yates

I’m reading this … and loving it, but more later.

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