Category Archives: Serious

Reading Madame Bovary – Amanda Lohrey


A friend recommended this one. It is a book of (longish) short stories. Nine all together. I preferred the ones that had a female point of view Lohrey does a great job of getting inside her character’s heads and writing their innermost thoughts – like the sexual fantasy in ‘Primates’. The stories felt very real (I wonder if some are her own experiences or maybe her friends?)

One thing I’ve been noticing lately is dialogue. If it seems wooden and unrealistic, then I’m jolted out of the story. Like the Mills&Boon elements to The Discovery of Witches. That didn’t happen with this book, so I must conclude that the dialogue was good.

I seem to be far more articulate about what I don’t like then what I do like – the things that put me off reading seem to stand out whereas it is hard to catch the good things in the act – definitely something to work on. I’m looking forward to reading more of Lohrey’s work.

You can listen to an Interview with Amanda Lohrey.

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Olive Kitteridge – Elizabeth Strout

I selected this novel because one of the members of my Victorian Book club recommended it (we read Victorian novels). I really enjoyed it. It was like a series of short stories, but a few of the characters (like Olive) appeared in all of the stories. The novel had sad undertones and I don’t think I would have enjoyed it if I was in a dark patch in my life.

Olive Kitteridge: indomitable, compassionate and often unpredictable. A retired school teacher in a small coastal town in Maine, struggling to make sense of the changes in her life a’s she grows older. She is a woman who sees into the hearts of others, discerning their triumphs and tragedies.
We meet her stoic husband, bound to her in a marriage both broken and strong, and a young man who acts for the mother he lost – and whom Olive comforts by her mere presence, while her own son feels tyrannized by her overbearing sensitivities.
A penetrating, vibrant exploration of the human soul in need, Olive Kitteridge will make you laugh, nod in recognition, wince in pain and shed a tear or two.

The writing was excellent and the characters lived off the page. I will definitely be looking for other Strout novels.

Here is the review from the New York Times Olive Kitteridge

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Jasper Jones – Craig Silvey

My book club has had this novel in our sights for a while. We read Rhubarb and all enjoyed it. Craig Silvey not only tells a good story, but he puts words together in an interesting manner.

Here’s the blurb …

Late on a hot summer night in the tail end of 1965, Charlie Bucktin, a precocious and bookish boy of thirteen, is startled by an urgent knock on the window of his sleep-out. His visitor is Jasper Jones, an outcast in the regional mining town of Corrigan. Rebellious, mixed-race and solitary, Jasper is a distant figure of danger and intrigue for Charlie. So when Jasper begs for his help, Charlie eagerly steals into the night by his side, terribly afraid but desperate to impress.
Jasper takes him through town and to his secret glade in the bush, and it’s here that Charlie bears witness to Jasper’s horrible discovery. With his secret like a brick in his belly, Charlie is pushed and pulled by a town closing in on itself in fear and suspicion as he locks horns with his tempestuous mother; falls nervously in love and battles to keep a lid on his zealous best friend, Jeffrey Lu.
And in vainly attempting to restore the parts that have been shaken loose, Charlie learns to discern the truth from the myth, and why white lies creep like a curse. In the simmering summer where everything changes, Charlie learns why the truth of things is so hard to know, and even harder to hold in his heart.

This novel has a real sense of place. A small Western Australian town in the 1960s – with all that that implies;  racism, sexism, etc. You can almost feel the heat coming off the page.

The characters are beautifully written; Charlie trying to do the right thing, but hopelessly out of his depth; Jasper Jones, self-reliant he has dealt with the town’s racism for ever, if anything ever goes wrong he is suspected; Jeffery witty and resilient; and Eliza who seems so knowing and self-possessed.

There is an undercurrent of menace throughout this novel with occasional outbursts of violence. Corrigan is a town seething in it’s own juices.

This is a fabulous novel and I look forward to the next Craig Silvey novel.

Some more reviews …

http://www.pageturnersbooks.org/2010/11/jasper-jones-by-craig-silvey-great.html

http://www.alexfieldherself.com/2010/08/book-club-rates-jasper-jones-by-craig.html

http://kimbofo.typepad.com/readingmatters/2010/05/jasper-jones-by-craig-silvey.html

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The Good Man Jesus and the Scoundrel Christ

I was intrigued by the title of this novel and simply had to read it. I’m not religious but I am fascinated by religion. This was simply written and a very quick read.

Here’s the blurb …

In this genius spellbinding retelling of the life of Jesus, Philip Pullman revisits the most influential story ever told.

Charged with mystery, compassion and enormous power, The Good Man Jesus and the Scoundrel Christ throws a fresh light on who Jesus was and asks the reader questions that will continue to resonate long after the final page is turned. Above all, this book is about how stories become stories.

Pullman retells the story of Jesus. However, Jesus had a twin brother Christ. In this story many of the miracles are explained; for example the water into wine at the wedding of Cana miracle was simply Jesus telling the stewards to bring out the wine they had hidden away. Here is the passage describing the conception of Jesus:

One night in her bedroom she heard a whisper through her window.

‘Mary do you know how beautiful you are? You are the the most lovely of all women. The Lord must have favoured you especially, to be so sweet and so gracious, to have such eyes and such lips …’

She was confused, and said ‘Who are you?’

‘I am an angel’, said the voice. ‘Let me in and I shall tell you a secret that only you must know.’

She opened the window and let him in. In order not to frighten her, he had assumed the appearance of a young man, just like one of the young men who spoke to her by the well.

When Jesus is baptised Christ sees a dove fly above them and settle in a tree. Christ decides it’s an omen. It is Christ who tempts Jesus in the wilderness. He wants him to perform miracles to convince the simple minded plus he has visions of a ‘kingdom of the faithful’

[…]Groups of families worshipping together with a priest in every village and town, an association of local groups under the direction and guidance of a wise else in the region, the regional leaders all answering to the authority of one supreme director, a king of regent on earth!

Jesus is horrified.

About this time Christ meets an enigmatic stranger (is he an Angel?).He tells Christ that he is the ‘word of god’, that he and Jesus’s names will both be remembered, and that sometimes truth is outside of history (i.e you might need to manipulate history to make it true). He encourages Christ to make a record of Jesus’s ministry.

I don’t want to reveal too much more or I’ll spoil the story.

This novel is about the making of myths, about how the telling of a story can change it from something ordinary to something magical. The prose is simple almost spare, but it is very thought provoking. I think if you are religious, then you might find this story offensive. I, however, thought it was clever and interesting and might even lead me to read the relevant sections of the bible.

Here are some other reviews …

http://www.thingsmeanalot.com/2010/04/good-man-jesus-and-scoundrel-christ-by.html

http://savidgereads.wordpress.com/2010/04/04/the-good-man-jesus-the-scoundrel-christ-philip-pullman/

http://www.3000books.com.au/2010/06/the-good-man-jesus-and-the-scoundrel-christ-philip-pullman.html

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Bleak House – Charles Dickens

This was a marathon reading task, but I’m quite pleased that I finished it. I liked it. A lot. Unlike Little Dorrit, which I thought needed editing, I enjoyed all aspects of this novel.

Here is a synopsis from Wikipedia

Sir Leicester Dedlock and Honoria, Lady Dedlock (his junior by more than twenty years) live at his estate of Chesney Wold. Unbeknownst to Sir Leicester, Lady Dedlock had a lover, Captain Hawdon, before her marriage to Sir Leicester — and had a child by him, Esther Summerson. Lady Dedlock, believing her daughter to be dead, has chosen to live out her days ‘bored to death’ as a fashionable lady of the world.

Esther is raised by Miss Barbary, Lady Dedlock’s spartan sister, who instills a sense of worthlessness in her that Esther will battle throughout the novel. Esther does not realize that Miss Barbary is her aunt, thinking of her only as her godmother. When Miss Barbary dies, the Chancery lawyer “Conversation” Kenge takes charge of Esther’s future on the instruction of his client, John Jarndyce. Jarndyce becomes Esther’s guardian, and after attending school in Reading for six years, she goes to live with him at Bleak House, along with his wards, Richard Carstone and Ada Clare. Esther is to be Ada’s companion.

Esther soon befriends both Ada and Richard, who are cousins. They are named beneficiaries in one of the wills at issue in Jarndyce and Jarndyce; their guardian is a beneficiary under another will, and in some undefined way the two wills conflict. Richard and Ada soon fall in love, but though Mr. Jarndyce does not oppose the match, he does stipulate that Richard (who suffers from inconstancy of character) must first choose a profession. When Richard mentions the prospect of benefiting from the resolution of Jarndyce and Jarndyce, John Jarndyce beseeches him never to put faith in what he calls “the family curse”.

Meanwhile, Lady Dedlock is also a beneficiary under one of the wills in Jarndyce and Jarndyce. Early in the book, while listening to her solicitor, the close-mouthed but shrewd Mr. Tulkinghorn, read an affidavit aloud, she recognizes the handwriting on the copy. The sight affects her so much that she almost faints, which Tulkinghorn notes and thinks important enough to investigate. He recognizes that Lady Dedlock has focused on the affidavit’s handwriting, and seeks to trace the copyist. He discovers that the copyist was a pauper known only as “Nemo” and that he has recently died. The only person to identify him is a street-sweeper, a poor homeless boy named Jo.

Lady Dedlock also investigates the matter, disguising herself as her French maid, Mademoiselle Hortense. In disguise, she pays Jo to take her to Nemo’s grave. Meanwhile, convinced that Lady Dedlock’s secret might be a threat to the interests of his client, Sir Leicester Dedlock, Tulkinghorn begins to watch her every move, even enlisting the aid of the maid, who detests her.

Esther happens to meet her mother unwittingly at a church service and has a conversation with her afterwards at Chesney Wold – though, at first, neither woman recognizes the tie that binds them. Later, Lady Dedlock realises that her abandoned child is not dead, but is, in fact, Esther. She waits to confront Esther with this knowledge until Esther has survived a bout with an unidentified disease (possibly smallpox, as it permanently disfigures her), which she contracted from her maid Charley (whom she devotedly nursed back to health). Though they are happy at being reunited, Lady Dedlock tells Esther that they must never recognize their connection again.

Meanwhile, Esther has recovered her health, but her beauty is supposedly ruined. She finds that Richard, having tried and failed at several professions, has ignored his guardian’s advice and is wasting all his resources in trying to push Jarndyce and Jarndyce to a conclusion (in his and Ada’s favour). Further, he has broken with his guardian, under the influence of his lawyer, the odious and crafty Mr. Vholes. In the process of becoming an active litigant, Richard has lost all his money and is breaking his health. In further defiance of John Jarndyce, he and Ada have secretly married, and Ada is carrying Richard’s child. Esther experiences her own romance when Dr. Woodcourt, who knew her before her illness, returns from his mission and continues to seek her company despite her disfigurement. Unfortunately, Esther has already agreed to marry her guardian, John Jarndyce.

Hortense and Tulkinghorn discover the truth about Lady Dedlock’s past. After a quiet but desperate confrontation with the lawyer, Lady Dedlock flees her home, leaving a note apologizing for her conduct. Tulkinghorn dismisses Hortense, no longer any use to him. Feeling abandoned and betrayed by Lady Dedlock and Tulkinghorn, Hortense kills Tulkinghorn and seeks to frame Lady Dedlock for his murder. On discovering his lawyer’s death and his wife’s flight, Sir Leicester suffers a catastrophic stroke but manages to communicate that he forgives his wife and wants her to return to him.

Inspector Bucket, who up to now has investigated several matters on the periphery of Jarndyce and Jarndyce, accepts the commission of the stricken Sir Leicester to find Lady Dedlock. He suspects Lady Dedlock, even after he arrests George Rouncewell (the only other person known to be with Tulkinghorn on the night of the murder, and known to have quarrelled with the lawyer repeatedly). Nonetheless, Bucket pursues the charge given to him by Sir Leicester and ultimately calls on Esther to assist in the search for Lady Dedlock. By this point, Bucket has cleared Lady Dedlock’s name by discovering Hortense’s guilt, but she has no way to know this, and, wandering London in cold and bitter weather, she ultimately dies at the cemetery where her former lover Captain Hawdon (Nemo) is buried. Esther and Bucket find her there.

Developments in Jarndyce and Jarndyce seem to take a turn for the better when a later will is discovered which revokes all previous wills and leaves the bulk of the estate to Richard and Ada. At the same time, John Jarndyce releases Esther from their engagement and she and Dr. Woodcourt become engaged. They go to Chancery to find Richard and to discover what news there might be of the lawsuit’s resolution. To their horror, they discover that the new will is given no chance to resolve Jarndyce and Jarndyce, for the costs of litigation have consumed the estate, and as there is nothing left to litigate, the case melts away. After hearing this, Richard collapses, and Dr Woodcourt determines that he is in the last stages of consumption. Richard apologizes to John Jarndyce and succumbs, leaving Ada alone with their child, a boy whom she names Richard. Jarndyce takes in Ada and the child. Esther and Woodcourt marry and live in Yorkshire, in a house which Jarndyce gives to them. In time, they have two daughters.

Many of this intricate novel’s subplots deal with the minor characters and their diverse ties to the main plot. One of these subplots is the hard life and happy though difficult marriage of Caddy Jellyby and Prince Turveydrop. Another focuses on George Rouncewell’s rediscovery of his family at Chesney Wold and his reunion with his mother and brother.

There is so much going on in this novel – mystery, romance, court drama. Esther Summerson is another unbelievably good heroine ( a bit like Amy Dorrit). The characters are brilliant – Mr Bucket, Mrs Jellyby  and her African causes, the child-like Mr Skimpole, the lovely Allan Woodcourt and the lost Richard Carstone.

This is my favourite Dickens so far…

Here are some other reviews …

http://www.smittenbybritain.com/2010/08/great-british-literature-bleak-house.html

http://www.chrisbookarama.com/2008/01/bleak-house-review.html

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Little Dorrit – Charles Dickens

From extreme to other; Janet Evanovich and then Charles Dickens!

I read this because it was the book for my Victorian Literary Society meeting.  I had recently watched the latest BBC adaptation (with Clarie Foy) and so was quite keen to read the novel.

It is very long – my copy went to 900 pages.

Here’s the synopsis from Wikipedia …

The novel begins in Marseille with the notorious murderer Rigaud informing his cellmate that he has murdered his wife. Also in the town is Arthur Clennam, who is returning to London to see his mother following the death of his father, with whom he had lived for twenty years in China. As he died, his father had given Arthur a mysterious watch, murmuring, “Your mother.” Naturally Arthur had assumed that it was intended for Arthur’s mother Mrs. Clennam, whom he and the world supposed to be his mother.

Inside the watch casing was an old silk paper with the initials D N F (Do Not Forget) worked into it in beads. It was a message, but when Arthur shows it to harsh and implacable Mrs. Clennam, a religious fanatic, she refuses to reveal what it means, and the two become estranged.

In London, William Dorrit, imprisoned as a debtor, has been a resident of Marshalsea debtor’s prison for so long that his children — snobbish Fanny, idle Edward (known as Tip), and Amy (known as Little Dorrit) — have all grown up there, though they are free to pass in and out of the prison as they please. Amy is devoted to her father and through her sewing, has been financially supporting the two of them.

Once in London, Arthur is reacquainted with his former fiancée Flora Finching, who is now overweight and simpering. Arthur’s mother, Mrs. Clennam, although paralysed and a wheelchair user, still runs the family business with the help of her servant Jeremiah Flintwinch and his downtrodden wife Affery. When Arthur learns that Mrs. Clennam has employed Little Dorrit as a seamstress, showing her unusual kindness, he wonders if the young girl might be connected with the mystery of the watch. Suspecting that his mother played a part in the misfortunes of the Dorrits, Arthur follows the girl to the Marshalsea. He vainly tries to inquire about William Dorrit’s debt at the poorly run Circumlocution Office and acts as a benefactor to her father and brother. While at the Circumlocution Office, Arthur meets the struggling inventor Daniel Doyce, whom he decides to help by becoming his business partner. The grateful Little Dorrit falls in love with Arthur, much to the dismay of the son of the Marshalsea jailer, John Chivery, who has loved her since childhood; Arthur, however, fails to recognize Amy’s interest. At last, aided by the indefatigable debt-collector Pancks, Arthur discovers that William Dorrit is the lost heir to a large fortune and he is finally able to pay his way out of prison.

William Dorrit decides that as a now respectable family they should go on a tour of Europe. They travel over the Alps and take up residence for a time in Venice, and finally in Rome, carrying, with the exception of Amy, an air of conceit at their new-found wealth. Eventually after a spell of delirium, Mr. Dorrit dies in Rome, and his distraught brother Frederick, a kindhearted musician, who has always stood by him, also passes away. Amy is left alone and returns to London to stay with newly married Fanny and her husband, the foppish Edmund Sparkler.

The fraudulent dealings (similar to a Ponzi scheme) of Mr. Merdle who is Edmund Sparkler’s stepfather leads to the collapse of Merdle’s bank after his suicide, taking with it the savings of both the Dorrits and Arthur Clennam, who is now himself imprisoned in the Marshalsea. While there, he is taken ill and is nursed back to health by Amy. The French villain Rigaud, now in London, discovers that Mrs. Clennam has been hiding the fact that Arthur is not her real son, and Rigaud attempts to blackmail her. Arthur’s biological mother was a beautiful young singer with whom his father had gone through a ceremony of sorts before being pressured by his wealthy uncle to marry the present Mrs. Clennam. Mrs. Clennam had agreed to bring up the child on condition that its mother never see him. After Arthur’s real mother had died of grief at being separated from her child and its father, the uncle, stung by remorse, had left a bequest to Arthur’s mother and to “the youngest daughter of her patron”, a kindly musician who had taught and befriended her—and who happened to be Amy Dorrit’s uncle, Frederick. As Frederick Dorrit had no daughter, the legacy goes to the youngest daughter of Frederick’s brother, who is William Dorrit, Amy’s father.

Mrs. Clennam has been suppressing her knowledge that Amy is the heiress to an estate. Overcome by passion, Mrs. Clennam rises from her chair and totters out of her house to reveal the secret to Amy and to beg her forgiveness, which the kindhearted girl freely grants. Mrs. Clennam then falls down in the street—never to recover the use of her speech or limbs—as the house of Clennam literally collapses before her eyes, killing Rigaud. Rather than hurt Arthur, Amy chooses not to reveal what she has learnt, though this means that she misses her legacy.

When Arthur’s business partner Daniel Doyce returns from Turkey a wealthy man, Arthur is released and his fortunes revived, and Arthur and Amy are married.

Like many of Dickens novels, Little Dorritcontains numerous subplots. One subplot concerns Arthur Clennam’s friends, the kindhearted Meagles. They are upset when their daughter Pet marries an artist called Gowan and when their servant and foster daughter Tattycoram is lured away from them to the sinister Miss Wade, an acquaintance of the criminal Rigaud. Miss Wade hates men, and it turns out she is the jilted sweetheart of Gowan.

The novel is split into two books and I found the first book interesting and compelling, but got completely bogged down in the second. Both books needed editing (can I say that about Dickens?), but the second seemed full on unnecessary padding.

In the BBC adaptation Andrew Davies shifted some of the events around in time and it all seemed much less muddled. I guess when you write it as a series of installments you can’t go back later and change the order of the events.

And what about the will? Leaving money for the second daughter of the brother of the benefactor (if the benefactor doesn’t have children) thus linking Amy and Arthur – all seems a bit far fetched to me.

Next up on my Dickens reading Bleak House (I hear it’s very bleak!)

Here’s someone else’s thoughts …

http://court-merrigan.blogspot.com/2009/02/book-review-little-dorrit.html

http://wmtc.blogspot.com/2010/07/what-im-reading-little-dorrit-finally.html

http://www.rulethewaves.net/blog/?p=1608

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The Longest Journey – E M Forster

I picked up a copy of this novel from a second-hand book store while on holiday.

Here’s the blurb

Rickie Elliot, a sensitive and intelligent young man with an intense imagination and a certain amount of literary talent, sets out from Cambridge full of hopes to become a writer. But when his stories are not successful he decides instead to marry the beautiful but shallow Agnes, agreeing to abandon his writing and become a schoolmaster at a second-rate public school. Giving up his hopes and values for those of the conventional world, he sinks into a world of petty conformity and bitter disappointments.

The start reminded my of Brideshead Revisited

I enjoyed this novel. It is a quiet story about the development of one character.

There is a fabulous interpretation here

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Solar – Ian McEwan

Solaris Ian McEwan’s latest novel. It is the story of Michael Beard a physicist who in his youth discovered the Beard-Einstein conflation for which he was awarded the Nobel prize. Since receiving the prize he has done little physics choosing instead to use his fame to receive grants and positions. One of which is at the ‘National Centre for Renewable Energy’. Here he meets the young and enthusiastic Tom Aldous. 

Michael Beard has been married five times and his fifth wife, Patrice, is having an affair (in retaliation to all of his affairs) with their builder. Beard takes this defection hard and to try to take his mind off the situation he accepts a trip to a glacier in the arctic circle so he witness the effects of global warming for himself. This involves an hilarious (and painful) journey on a snow mobile. On his return he discovers that Patrice has moved on from the builder and is now having an affair with Tom Aldous. A series of events unfold from this crises (I won’t spoil it for anyone) which leads ultimately (and deservedly) to Beard’s downfall.

Michael Beard is a particularly unattractive character; always looking out for himself and treating people (particularly women) very badly.

The writing is beautiful and I kept reading to the end despite loathing Beard. This novel isn’t about global warming and the need to find a clean energy source – it’s simply the frame used to portray a brilliant man whose won success seems to be his undoing.

I don’t think this is McEwan at his best, but I still think it’s worth a read.

Here are some other reviews

http://leekonstantinou.com/2010/05/08/beards-women-or-the-problem-with-ian-mcewans-solar-2010/

http://book-drunk.blogspot.com/2010/05/solar-by-ian-mcewan.html

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Good to a Fault – Marina Endicott

I read about this novel on Cornflower Books – I can’t find the reference now it might even be in a comment somewhere – anyway I thought if I see it around I’ll grab a copy and then, on the very day, I find it in a second hand book store. I had no idea what to expect, but I loved it. It contains a wealth of domestic detail about raising three children and just how hard (and messy) that can be.

This is the description from Allen &  Unwin

In a novel reminiscent of the work of Penelope Lively, Anne Tyler, and Alice Munro, acclaimed author Marina Endicott gives us one of the most profound and most memorable reads of the year.
Absorbed in her own failings, Clara Purdy crashes her life into a sharp left turn, taking the young family in the other car along with her. When bruises on the mother, Lorraine, prove to be late-stage cancer, Clara – against all habit and comfort – moves the three children and their terrible grandmother into her own house.
We know what is good, but we don’t do it. In Good to a Fault, Clara decides to give it a try, and then has to cope with the consequences: exhaustion, fury, hilarity, and unexpected love. But she must question her own motives. Is she acting out of true goodness, or out of guilt? Most shamefully, has she taken over simply because she wants the baby for her own?
What do we owe in this life, and what do we deserve? This compassionate, funny, and fiercely intelligent novel looks at life and death through grocery-store reading glasses: being good, being at fault, and finding some balance on the precipice.

The writing is magnificent. Marina Endicott using free indirect style to great effect – we move in and out of the heads of most of the characters and therefore understand and sympathise with their lives.

Do we do our good deeds expecting gratitude or recognition? I think we probably do and I felt for Clara when things didn’t turn out quite how she expected.

I think this is domestic fiction at it’s best – it forces us to think about own motivations and assumptions.

Here are some other reviews …

http://kirbc.wordpress.com/2010/02/24/good-to-a-fault-by-marina-endicott/

http://www.bookslut.com/fiction/2009_05_014524.php

http://shereadsandreads.blogspot.com/2009/02/good-to-fault-by-marina-endicott-review.html

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The Legacy – Kristen Tranter

I read a review of this novel in The Australian and simply had to have it. Here is the description from Harper Collins …

What has happened to Ingrid?

Beautiful Ingrid inherits a fortune and leaves Australia, and her friends, and Ralph who loves her, to marry Gil Grey and set up home amid the New York art world. There she becomes the stepmother to Gil?s teenage artist daughter Fleur, a former child prodigy, and studies ancient curse scrolls at Columbia University.

But at 9am on September 11, 2001, she has an appointment downtown. And is never seen again.

Or is she?

Searching for clues about Ingrid?s life a year later, her friend Julia uncovers only further layers of mystery and deception.

Both an unputdownable mystery and a compelling meditation on the nature of art, truth, friendship and love, THE LEGACY announces the arrival of a major new talent.

This novel is a modern re-telling of James’s The Portrait of a Lady plus a bit of an extension. It’s been a long time since I’ve read The Portrait of a Lady but I remember after a couple of false starts that I loved it. This novel is in three parts and the first part closely resembles James’s novel (although obviously with a modern setting), part two and part three move into new territory. I really enjoyed reading this novel – I didn’t want it to end. The things that have really stuck in my mind was first how well she described an Australian university experience (it reminded me of my time at Uni), secondly the effect of the collapse of the World Trade Center on New Yorkers and thirdly the sense of place Ms Tranter created. The writing is spectacular (and unobtrusive). I didn’t once think it needed more editing (very unusual) and the characters are fabulous, completely believable. Here’s a reading guide, and a review and another review.

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