I always like books about books. I did cheat with this one, I just read the chapters on books that I have read.
Here’s the blurb …
In his first book devoted exclusively to narrative fiction, America’s most original and controversial literary critic and legendary Yale professor writes trenchantly about fifty-two masterworks spanning the Western tradition.
Perhaps no other literary critic but Harold Bloom could–or would–undertake a project of this immensity. And certainly no other critic could bring to it the extraordinary knowledge, understanding, and insight that are the hallmark of Bloom’s every book. Ranging across centuries and continents, this final book of his career, gives us the inimitable critic on Don Quixote and Book of Numbers; Wuthering Heights and Absalom, Absalom; Les Miserables and Blood Meridian; Vanity Fair and Invisible Man; The Captain’s Daughter and The Reef. He writes about works byAusten, Balzac, Dickens, Tolstoy, James, Conrad, Lawrence, Wolff, Le Guin, Sebald, and many more. Whether you have already read these books, or intend to, or simply care about the importance and power of fiction, Harold Bloom serves as an unparalleled guide through the pages of these 52 masterpieces of the genre.
I think Harold Bloom is of his time and I don’t necessarily agree with all of his critiques. But what I did enjoy was his personal approach to the novels. I liked to read about when he first read the novels, what his friends thought of the novel, etc.
I am a sucker for a women’s history book. I bought this one from the Subiaco Bookshop (it has a great selection of books). However, in the end I read it on my Kobo (so I have two versions – print and digital).
Here’s the blurb …
Virginal, chaste, humble, patiently waiting for rescue by brave knights and handsome princes: this idealised – and largely mythical – notion of the medieval noblewoman still lingers. Yet the reality was very different, as Kelcey Wilson-Lee shows in this vibrant account of the five daughters of the great English king, Edward I. The lives of these sisters – Eleanora, Joanna, Margaret, Mary and Elizabeth – ran the full gamut of experiences open to royal women in the Middle Ages. Living as they did in a courtly culture founded on romantic longing and brilliant pageantry, they knew that a princess was to be chaste yet a mother to many children, preferably sons, meek yet able to influence a recalcitrant husband or even command a host of men-at-arms.
These women’s lives were fascinating. The royal family was constantly on the move – visiting various palaces, manors, nobles, etc. The children had their own households from a young age and roamed the country. Mary was sent to a nunnery when she was 6! The other girls were married off to various European nobility. What I found interesting was the care and interest Edward took in his children (obviously he ordered them about when required), but he clearly loved them as well. Within the constraints of the time, these women wielded power and influence, and had great wealth they used to further causes important to them.
I bought this book because it was on the long list for the non-fiction prize of the Women’s Prize. And then, of course, I didn’t get around to reading it. For this month the theme of my book club is ‘Letters’, so I thought this would be perfect.
Here’s the blurb …
A history and celebration of the many far-flung volunteers who helped define the English language, word by word
The Oxford English Dictionary is one of mankind’s greatest achievements, and yet, curiously, its creators are almost never considered. Who were the people behind this unprecedented book? As Sarah Ogilvie reveals, they include three murderers, a collector of pornography, the daughter of Karl Marx, a president of Yale, a radical suffragette, a vicar who was later found dead in the cupboard of his chapel, an inventor of the first American subway, a female anti-slavery activist in Philadelphia . . . and thousands of others.
Of deep transgenerational and broad appeal, a thrilling literary detective story that, for the first time, unravels the mystery of the endlessly fascinating contributors the world over who, for over seventy years, helped to codify the way we read and write and speak. It was the greatest crowdsourcing endeavor in human history, the Wikipedia of its time.
The Dictionary People is a celebration of words, language, and people, whose eccentricities and obsessions, triumphs, and failures enriched the English language.
This was really enjoyable and I appreciate how much work would have gone in to researching all of these people.
As someone who has issues with food and weight, I was interested in reading this one. I read Conquering Fat Logic by Nadja Hermann last year and I found it very liberating. I realised I was in charge of my weight – no excuses.
Here’s the blurb…
Roth began exploring emotional eating in her bestseller When Food Is Love. Now, two decades later, here is her masterwork: WOMEN FOOD AND GOD.
The way you eat is inseparable from your core beliefs about being alive. No matter how sophisticated or wise or enlightened you believe you are, how you eat tells all. The world is on your plate. When you begin to understand what prompts you to use food as a way to numb or distract yourself, the process takes you deeper into realms of spirit and to the bright center of your own life. Rather than getting rid of or instantly changing your conflicted relationship with food, Women Food and God is about welcoming what is already here, and contacting the part of yourself that is already whole—divinity itself.
This book covers emotional eating (my big downfall), why we do it and how we can stop it. I found it confronting and enlightening.
A Needle in the Right Hand of God – R Howard Block
I am going to Bayeux this year – I was meant to go in 2020, but that wasn’t to be, so this is the year. I am very keen to see the Bayeux Tapestry (and yes I know it’s not a tapestry).
This is the latest of several books on the tapestry that I have read.
Here’s the blurb …
The Bayeux Tapestry is the world’s most famous textile–an exquisite 230-foot-long embroidered panorama depicting the events surrounding the Norman Conquest of 1066. It is also one of history’s most mysterious and compelling works of art. This haunting stitched account of the battle that redrew the map of medieval Europe has inspired dreams of theft, waves of nationalism, visions of limitless power, and esthetic rapture. In his fascinating new book, Yale professor R. Howard Bloch reveals the history, the hidden meaning, the deep beauty, and the enduring allure of this astonishing piece of cloth.
Bloch opens with a gripping account of the event that inspired the Tapestry: the swift, bloody Battle of Hastings, in which the Norman bastard William defeated the Anglo-Saxon king, Harold, and laid claim to England under his new title, William the Conqueror. But to truly understand the connection between battle and embroidery, one must retrace the web of international intrigue and scandal that climaxed at Hastings. Bloch demonstrates how, with astonishing intimacy and immediacy, the artisans who fashioned this work of textile art brought to life a moment that changed the course of British culture and history.
Every age has cherished the Tapestry for different reasons and read new meaning into its enigmatic words and images. French nationalists in the mid-nineteenth century, fired by Tapestry’s evocation of military glory, unearthed the lost French epic “The Song of Roland,” which Norman troops sang as they marched to victory in 1066. As the Nazis tightened their grip on Europe, Hitler sent a team to France to study the Tapestry, decode its Nordic elements, and, at the end of the war, with Paris under siege, bring the precious cloth to Berlin. The richest horde of buried Anglo-Saxon treasure, the matchless beauty of Byzantine silk, Aesop’s strange fable “The Swallow and the Linseed,” the colony that Anglo-Saxon nobles founded in the Middle East following their defeat at Hastings–all are brilliantly woven into Bloch’s riveting narrative.
Seamlessly integrating Norman, Anglo-Saxon, Viking, and Byzantine elements, the Bayeux Tapestry ranks with Chartres and the Tower of London as a crowning achievement of medieval Europe. And yet, more than a work of art, the Tapestry served as the suture that bound up the wounds of 1066.
Enhanced by a stunning full-color insert that includes reproductions of the complete Tapestry, A Needle in the Right Hand of God will stand with The Professor and the Madman and How the Irish Saved Civilization as a triumph of popular history.
This book covers European history around the time of the conquest, prior to the conquest and up to the First Crusade. The author has a theory that the First Crusade is the second Norman Conquest and that the tapestry looks forward to the Crusade. He writes about the ‘tapestry maker’ and what might have been the sources for the design and motifs. I need to read it with images of the tapestry, so I can gain a better understanding. This had a wider view than the previous books I had read; The Story of the Bayeux Tapestry – Musgrove and Lewis, and The Bayeux Tapestry Carolina Hicks.
I attended a (virtual) talk by Lucy Adlington – it was organised by Selvedge magazine. After that, I was keen to read this book. I found a copy in Busselton (in the local Dymocks). It did take me a while to get to it.
Here’s the blurb …
A powerful chronicle of the women who used their sewing skills to survive the Holocaust, stitching beautiful clothes at an extraordinary fashion workshop created within one of the most notorious WWII death camps.
At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp—mainly Jewish women and girls—were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers.
This fashion workshop—called the Upper Tailoring Studio—was established by Hedwig Höss, the camp commandant’s wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin’s upper crust.
Drawing on diverse sources—including interviews with the last surviving seamstress—The Dressmakers of Auschwitz follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers’ remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.
This is an extraordinary story that needs to be told and remembered. Not easy reading, I am not sure how anyone survived it and went on to live productive lives. And their treatment directly after the war was also heart-breaking.
It is well-written and researched, and with the death of the last survivor in 2021, we need books like this to remind us of the past.
I am not sure where I first heard about this book, but I bought a second hand copy from Abe books (it’s probably a second because the first chapter is in backwards!).
Here’s the blurb …
When we look closely at dress in a novel we begin to enrich our sense of the novel’s historical and social context. More than this, wealth, class, beauty and moral rectitude can all be coded in fabric. In the modern novel, narratives are increasingly situated within the consciousness of characters, and it is the experience of dress that tells us about the context and the emotional, political and psychological values of the characters. Dressed in Fiction traces the deployment of dress in key fictional texts of the eighteenth and nineteenth centuries, from Daniel Defoe’s Roxana to George Eliot’s Middlemarch and Edith Wharton’s The House of Mirth. Covering a range of topics, from the growth of the middle classes and the association of luxury with vice, to the reasons why wedding dresses rarely ever symbolize happiness, the book presents a unique study of the history of clothing through the most popular and influential literature of the eighteenth and nineteenth centuries.
This book (non-fiction) is the intersection of literature and fashion history. I found it fascinating and very readable. I haven’t read Daniel Defoe so that chapter didn’t appeal to me as much as the others, I particularly enjoyed the ones on Middlemarch and House of Mirth. I now want to go back and (re)read these novels.
If you enjoy Victorian literature and fashion, then you will enjoy this book.
I has this languishing on my Kindle (was it a daily or monthly deal?).
Bestselling author Simon Winchester writes a magnificent history of the pioneering engineers who developed precision machinery to allow us to see as far as the moon and as close as the Higgs boson. Precision is the key to everything. It is an integral, unchallenged and essential component of our modern social, mercantile, scientific, mechanical and intellectual landscapes. The items we value in our daily lives – a camera, phone, computer, bicycle, car, a dishwasher perhaps – all sport components that fit together with precision and operate with near perfection. We also assume that the more precise a device the better it is. And yet whilst we live lives peppered and larded with precision, we are not, when we come to think about it, entirely sure what precision is, or what it means. How and when did it begin to build the modern world?
Simon Winchester seeks to answer these questions through stories of precision’s pioneers. Exactly takes us back to the origins of the Industrial Age, to Britain where he introduces the scientific minds that helped usher in modern production: John `Iron-Mad’ Wilkinson, Henry Maudslay, Joseph Bramah, Jesse Ramsden, and Joseph Whitworth. Thomas Jefferson exported their discoveries to the United States as manufacturing developed in the early twentieth century, with Britain’s Henry Royce developing the Rolls Royce and Henry Ford mass producing cars, Hattori’s Seiko and Leica lenses, to today’s cutting-edge developments from Europe, Asia and North America.
As he introduces the minds and methods that have changed the modern world, Winchester explores fundamental questions. Why is precision important? What are the different tools we use to measure it? Who has invented and perfected it? Has the pursuit of the ultra-precise in so many facets of human life blinded us to other things of equal value, such as an appreciation for the age-old traditions of craftsmanship, art, and high culture? Are we missing something that reflects the world.
It has 9 chapters based on a level of precision:
Stars, Seconds, Cylinders and Steam.
Extremely flat and Incredily Close
A Gun in Every Home, a Clock in Every Cabin.
On the Verge of a More Perfect World
The Irrestibible Lure of the Highway
Precision and Peril, Six Miles High
Through a glass, Distinctly
Where am I and What is the Time?
Squeezing Beyond Boundaries
I particularly enjoyed the chapters on the Hubble Telescope (and its issues) and the shrinking of transistors on chips.
I think there is a lot we take for granted in a world of mass production; we expected parts to be interchangeable, i.e. we can just replace a part when it breaks down and not have to hand-machine something specific to replace the broken bit.
This is a fascinating book with a lot of information about precision, but also about the people who make precise things and who are trying to push the boundaries of precision.
This was given to me as a gift, and as a fan of The Great British Sewing Bee, I was very keen to read this book.
From adventures at Central Saint Martins to The Great British Sewing Bee , go behind the scenes of Esme Young’s amazing life…
At age five, Esme was asked to write in her notebook, but instead, she filled it with drawings – the only way she knew to express herself. At seven, when it was discovered she was partially deaf, she found refuge in her sketchbooks. Shortly after, Esme made her first garment and a passion for sewing and designing was born. As a teenager, she made her way to London where her creative journey truly began.
Living in a squat with other young creatives, Esme made the most of her time; studying at Central Saint Martins, launching a clothing line called Swanky Modes with three friends and £50 each, watching Notting Hill Carnival with David Bowie, and altering a dress for Cher. The ’90s saw a career move into costumes for films, where she designed outfits for Trainspotting , Bridget Jones’s Diary and The Beach , before she moved onto the small screen herself.
A celebration of a creative life lived differently, Behind the Seams is a reminder that it’s never too early, or too late to pick up a needle and start stitching in a new direction.
This was great, so much that I didn’t know or expect. From the sewing bee, I knew about her work at Central Saint Martins, but nothing about the rest of her career. And what an amazing career it is; fashion and costume design, fabulous collaborations.
The driving impulse seems to be to say yes (almost all the time) to all opportunities.
If you’re interested in textiles, fashion, sewing, pattern cutting or the sewing bee, then this book will interest you.
Anne’s world – A New Century of Anne of Green Gables
I bought this soon after it was published (way back in 2010) and I finally read it. It’s a series of papers written around the time of the 100th anniversary of the publishing of Anne of Green Gables.
Here’s the blurb …
The recent 100 year anniversary of the first publication of L.M. Montgomery’s Anne of Green Gables has inspired renewed interest in one of Canada’s most beloved fictional icons. The international appeal of the red-haired orphan has not diminished over the past century, and the cultural meanings of her story continue to grow and change. The original essays in Anne’s World offer fresh and timely approaches to issues of culture, identity, health, and globalization as they apply to Montgomery’s famous character and to today’s readers.
In conversation with each other and with the work of previous experts, the contributors to Anne’s World discuss topics as diverse as Anne in fashion, the global industry surrounding Anne, how the novel can be used as a tool to counteract depression, and the possibility that Anne suffers from Fetal Alcohol Syndrome. Anne in translation and its adaptation for film and television are also considered. By establishing new ways to examine one of popular culture’s most beloved characters, the essays of Anne’s World demonstrate the timeless and ongoing appeal of L.M. Montgomery’s writing.
It covers a diverse range of topics; from translations to adaptations, bibliotherapy, etc. I skipped some of the chapters – the one on Fetal Alcohol syndrome for example, if anything I think Anne has ADHD. But this was an interesting selection of papers, and made me want to read the novel again and dig into LM Montgomery’s journals.
It is quite an academic book, but don’t let that put you off, it’s easy to read. And there are lots of foot notes you can explorer for extra reading.
I can’t find a review of this book, but here is a link to an article Margaret Atwood wrote about Anne of Green Gables.
