Category Archives: Recommended

Tess of the D’Urbervilles – Thomas Hardy

Tess of the D'Urbervilles - Thomas Hardy

Tess of the D’Urbervilles – Thomas Hardy

This is the last of my Hardy novels for my Victorian Literature group – you can definitely see Hardy’s increasing maturity as a writer when you read them in chronological order. Having said that, however, I still think The Woodlanders my favourite. I am sure this novel has more literary merit, but Tess’s life is so grim.

Here is the plot summary from Shmoop

Tess Durbeyfield is a (totally and completely doomed) country girl living in the late 19th Century in an English village that seems secluded, even though it’s only a four-hour journey from London. Her father learns in the first chapter that he is the last lineal descendent of the D’Urbervilles—one of the oldest, most aristocratic, families in all of England. He foolishly assumes that his aristocratic heritage will suffice to pull his family out of poverty, and so he sends Tess off to “claim kin” (i.e., to borrow money on the strength of their distant family ties) from a wealthy branch of the D’Urbervilles.

Tess is a very pretty girl, and very “womanly” (i.e., sexy) for her age, and the son of the wealthy D’Urbervilles, Alec, tries to seduce her. He finds her too proud and modest to fall into his snares, and so he tricks her into accepting a ride from him back to the family house at night, and cuts through the woods. After getting lost (possibly on purpose), Alec leaves Tess to fall asleep under a tree while he tries to find the path. He comes back, and, finding her asleep, takes advantage of their solitude to rape her under the trees.

The next phase of the book (“Maiden No More”) opens with Tess back at her parents’ house in the village of Marlott. She’s had a baby as a result of her connection with Alec, and has secluded herself from her former friends out of a combination of shame and pride. She works a few odd jobs to make money, and things are going okay until her baby suddenly gets sick… and dies. Tess is more worried about the baby’s soul than anything else, so she buries it in the churchyard on the sly.

Time passes, and most of her friends and neighbors have forgotten about Tess’s troubles. But she hasn’t, so she decides to go to a neighboring county to work at a dairy farm where nobody knows her. One of the other workers at the dairy, Angel Clare, is the son of a gentleman. Angel is learning about farming so that he can move to the colonies in America and become a wealthy farmer there. He and Tess gradually fall in love.

Tess wants to tell Angel about her past, but she can’t bring herself reveal it to him. Finally, the night before they’re supposed to get married, she slips a note under his door confessing everything. When he doesn’t say anything about it the next morning, she assumes all is forgiven—but really, he never saw the note. On their wedding night, he confesses to her that he’d had a brief fling with a strange woman in London long before he’d met Tess. So Tess feels like she can tell him about Alec, since that wasn’t her fault.

But Angel doesn’t see it that way. He’s shocked and horrified that she’s not a virgin, and runs off to South America to try and forget about her. Tess is heart-broken and wanders from job to job, trying to leave her problems behind her. But her problems keep finding her. Alec runs into her on the road, and even though he’s become a Christian, he becomes obsessed with her again. Eventually he persuades her to live with him, even though she’s legally married to Angel. But she’s given up hope that Angel will ever come back to her.

But he does come back to her, and when she sees Angel, she stabs Alec in their hotel room. Angel realizes that he’s partly responsible for the murder, and runs away with her. They flee together across the countryside, and are finally caught by the authorities at Stonehenge, an ancient monument of huge stones in the English countryside that was built by the druids or even earlier. “Justice” catches up with Tess, and she is hanged.

I listened to this one (it was read by Anna Bentinck), which, as Hardy is a poet first, means I have a much greater appreciation for how his work sounds.

I think Hardy has pyschological insight – like this (Tess has returned home after being ruined (seduced/raped) by Alec D’Urberville

Their chatter, their laughter, their good-humoured innuendoes, above all, their flashes and flickerings of envy, revived Tess’s spirits also; and, as the evening wore on, she caught the infection of their excitement, and grew almost gay. The marble hardness left her face, she moved with something of her old bounding step, and flushed in all her young beauty.At moments, in spite of thought, she would reply to their inquiries with a manner of superiority, as if recognizing that her experiences in the field of courtship had, indeed, been slightly enviable. But so far was she from being, in the words of Robert South, “in love with her own ruin,” that the illusion was transient as lightning; cold reason came back to mock her spasmodic weakness; the ghastliness of her momentary pride would convict her, and recall her to reserved listlessness again.

It must be quite unusual for a 19th century novel to have a working class heroine as its main protagonist. I am intrigued as to what contemporary readers thought.

Hardy is highlighting the complete lack of control or agency that Tess (or any woman) has over her life. Also the incredible hypocrisy and double-standards of the time – Angel cannot forgive Tess for not being innocent despite confessing a prior entanglement. There is a lot of tramping about the country side (Tess walks 15 miles to the vicarage at Eminister and back again in one day), descriptions of lush dairy country and harsh upland country. Country customs and conversations plus the usual Hardy pre-occupation with villages losing their tradespeople as life leases end.

 

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Precious Things – Kelly Doust

Precious Things - Kelly Doust

Precious Things – Kelly Doust

I saw a poster for this in Boffins and it sounded so interesting I had to have it.

Here is the blurb …

In the tradition of gloriously absorbing, lush and moving women’s fiction by authors such as Kate Morton, Lucinda Riley and Joanne Harris comes PRECIOUS THINGS.
Normandy, France, 1891: a young woman painstakingly sews an intricate beaded collar to her wedding dress, the night before her marriage to someone she barely knows. Yet Aimee longs for so much more …
Shanghai, 1926: dancing sensation and wild child Zephyr spies what looks like a beaded headpiece lying carelessly discarded on a ballroom floor. She takes it with her to Malaya where she sets her sights on a prize so out of reach that, in striving for it, she will jeopardise everything she holds dear …
PRECIOUS THINGS tells the story of a collar – a wonderful, glittering beaded piece – and its journey through the decades. It’s also the story of Maggie, an auctioneer living in modern-day London, who comes across the crumpled, neglected collar in a box of old junk, and sets out on an unexpected mission to discover more about its secret and elusive past.
Maggie has a journey of her own too. Juggling a demanding job, a clingy young child and a rebellious stepdaughter, and with her once-solid marriage foundering under the pressure of a busy life, Maggie has to find out the hard way that you can’t always get what you want… but sometimes, you’re lucky enough to get precisely what you need.
This is a wonderful, absorbing and moving novel about desire, marriage and family, telling the story about how we so often reach out for the sparkly, shiny things (and people) we desire, only to realise – in the nick of time – that the most precious things are the ones we’ve had with us all along.

What is not to like about this novel? Beads, embroidery, mystery, interesting women’s lives. There was different times, different countries, a beautiful, but seemingly unlucky, beaded collar.

I loved it. It was a nice, easy read with some fantastic locations and characters – a trapeze artist, a painter’s muse…. It is also about relationships and the way women make things work – Lexi, taking risks and making all of the decisions, Maggie juggling a demanding job and a small child, but, also parent child relationships. As much as I loved this novel, this emotional side was a bit weak for me – I can see where she wanted to go a rich weaving of past and present connected by the collar, but I don’t think it quite got there. Having said that it is still an enjoyable novel and I think it would make a spectacular film – just imagine the costumes!

Another review …

http://www.smh.com.au/entertainment/books/precious-things-review-craft-to-the-fore-in-kelly-dousts-debut-novel-20160620-gpn6p1.html

 

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The Last Painting of Sara de Vos – Dominic Smith

The Last Painting of Sara de Vos - Dominic Smith

The Last Painting of Sara de Vos – Dominic Smith

This novel was recommended (very highly) by several people, so when I saw it in Target for $16 I thought why not? I am so glad I did it is one of my favourite books this year!

Here is the blurb …

This is what we long for: the profound pleasure of being swept into vivid new worlds, worlds peopled by characters so intriguing and real that we can’t shake them, even long after the reading’s done. In this extraordinary novel, The Last Painting of Sara de Vos, US-based Australian writer Dominic Smith brilliantly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the Golden Age, an inheritor of the work in 1950s Manhattan, and a celebrated Australian art historian who painted a forgery of it in her youth.

In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke in Holland, the first woman to be so honoured. Three hundred years later, only one work attributed to de Vos is known to remain-a haunting winter scene, At the Edge of a Wood, which hangs over the Manhattan bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she’s curating an exhibit of female Dutch painters, and both versions threaten to arrive.

As the three threads intersect with increasing and exquisite suspense, The Last Painting of Sara de Vos mesmerises while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

I was swept away (just like the blurb said) I loved all of the different time periods – 17th century Holland, 1950s New York, and Sydney in 2000, all of the descriptions of art, painting and restoration. It was a very visual story and I would love to see it as a movie. It wasn’t just a pretty story though, it was about choices and consequences and responsibility. How lives impact on one another in both good and bad ways.

More reviews …

http://www.theaustralian.com.au/arts/review/dominic-smiths-last-painting-of-sara-vos-paints-a-tender-portrait/news-story/ef2c6713d04af15760e8cefb3ae3f01b

http://www.smh.com.au/entertainment/books/the-last-painting-of-sara-de-vos-review-dominic-smiths-brilliant-art-novel-20160526-gp4sq3.html

http://www.abc.net.au/tv/firsttuesday/s4453040.htm

 

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A Patchwork Planet – Anne Tyler

A Patchwork Planet - Anne Tyler

A Patchwork Planet – Anne Tyler

I do like Anne Tyler novels, so when someone donated this one to the second hand book stall at my daughter’s school fete I had to have it. One of the perks of volunteering is that we see the books first. It was clearly a well-loved novel and might even have had a bath at some stage!

Here’s the blurb …

Barnaby Gaitlin is a loser – just short of thirty he’s the black sheep of a philanthropic Baltimore family. Once upon a time he had a home, a loving wife, a little family of his own; now he has an ex-wife, a 9-year-old daughter with attitude, a Corvette Sting Ray that’s a collectors item but unreliable, and he works as hired muscle for Rent-a-Back, doing heavy chores for old folks. He has an almost pathological curiosity about other people’s lives, which has got him into serious trouble in the past, and a hopeless charm which attracts the kind of angelic woman who wants to save him from himself. Tyler’s observation is more acute and more delicious than ever; her humour slyer and more irresistible; her characters so vividly realised that you feel you’ve known this quirky collection for ever. With perfect pitch and poise, humor and humanity, Anne Tyler chronicals, better than any writer today, the sublime and the ridiculous of everyday living, the foibles and frailties of the ordinary human heart.

At first I wondered what type of book I was reading, as Barnaby stalked a women he met at the train station, but my sympathy for Barnaby grew as the story progressed. He appeared to be a hopeless case – troubled youth, unskilled job  and divorced with a bad relationship with his daughter, but as the story unfolds you realise there is more to Barnaby than appears at first sight.

All of the Gaitlin men meet an ‘angel’ who changes the direction of their lives. Barnaby thinks the woman on the train, Sophia, might just be his angel. She does change the direction of his life, but not in the way you would expect. She finds him charming on the train and is intrigued (and attracted) by his job. So much so she encourages her ageing aunt to employ him several hours a week. Meanwhile we meet Barnaby’s mother a ‘poor girl who has married well’ who can’t let go of Barnaby’s mis-spent youth. Frequently reminding him of the money they had to spend to pay-off the neighbours after his thefts. Barnaby and Sophia embark on a relationship and Barnaby decides to pay his mother back the money and so free himself from her forever. The other interesting character is Martine Barnaby’s co-worker and friend (they have a lovely bantering relationship). Sophia’s aunt accuses Barnaby of stealing her money (everyone knows she keeps it in the flour tin). It turns out she moved it and then forgot, but Sophia replaces the money in the tin (therefore proving herself to doubt Barnaby). Sophia is originally attracted to Barnaby because of his job, but then she wants him to change – get a better job (perhaps at her bank) and keep the money his mother refuses to take to buy the occasional luxury.

This brings me to theme or idea that I have been thinking about since finishing this novel – life style choices and how hard it is to go against the conventional view of success. By all accounts Barnaby’s life is a failure – failed marriage, dead-end job and living in someone’s basement, but his job is valuable (and brings joy and companionship to the people he helps) and he doesn’t have extravagant needs or wants. He is content.

“The way I see it, everyone has a choice: living rich and working hard to pay for it, or living a plain uncomplicated life and taking it easy”

As with all Anne Tyler novels the writing is beautiful.

If I had to eat one more stewy-tasting, mixed and mingled, gray-colored one-dish meal, I’d croak!

More reviews …

http://www.nytimes.com/books/98/04/19/reviews/980419.19shieldt.html

https://www.theguardian.com/books/2012/apr/13/why-men-love-anne-tyler-novels

 

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The Woodlanders – Thomas Hardy

The Woodlanders - Thomas Hardy

The Woodlanders – Thomas Hardy

Continuing my year of Hardy, I read The Woodlanders. This is my favourite so far – the characters (apart from Giles) are more nuanced less black and white. It is typically Hardy – there a love triangles/quadrilaterals, a fabulous sense of place (you could almost here the wind in the leaves), social class issues, pride, vanity and unhappy endings.

Here’s the summary …

The story takes place in a small woodland village called Little Hintock, and concerns the efforts of an honest woodsman, Giles Winterborne, to marry his childhood sweetheart, Grace Melbury. Although they have been informally betrothed for some time, her father has made financial sacrifices to give his adored only child a superior education and no longer considers Giles good enough for her. When the new doctor – a well-born and handsome young man named Edgar Fitzpiers – takes an interest in Grace, her father does all he can to make Grace forget Giles, and to encourage what he sees as a brilliant match. Grace has misgivings prior to the marriage as she sees a village woman (Suke Damson) coming out of his cottage very early in the morning and suspects he has been sleeping with her. She tells her father that she does not want to go on with the marriage and he becomes very angry. Later Fitzpiers tells her Suke has been to visit him because she was in agony from toothache and he extracted a molar. Grace clutches at this explanation – in fact Fitzpiers has started an affair with Suke some weeks previously. After the honeymoon, the couple take up residence in an unused wing of Melbury’s house. Soon, however, Fitzpiers begins an affair with a rich widow named Mrs. Charmond, which Grace and her father discover. Grace finds out by chance that Suke Damson has a full set of teeth and realises that Fitzpiers lied to her. The couple become progressively more estranged and Fitzpiers is assaulted by his father-in-law after he accidentally reveals his true character to him. Both Suke Damson and Mrs Charmond turn up at Grace’s house demanding to know whether Fitzpiers is all right – Grace addresses them both sarcastically as “Wives -all”. Fitzpiers later deserts Grace and goes to the Continent with Mrs Charmond. Grace realises that she has only ever really loved Giles but as there is no possibility of divorce feels that her love seems hopeless.

Melbury is told by a former legal clerk down on his luck that the law was changed in the previous year (making the setting of the action 1858) and divorce is now possible. He encourages Giles to resume his courtship of Grace. It later becomes apparent, however, that Fitzpiers’ adultery is not sufficient for Grace to be entitled to a divorce. When Fitzpiers quarrels with Mrs. Charmond and returns to Little Hintock to try to reconcile with his wife, she flees the house and turns to Giles for help. He is still convalescing from a dangerous illness, but nobly allows her to sleep in his hut during stormy weather, whilst he insists on sleeping outside. As a result, he dies. Grace later allows herself to be won back to the (at least temporarily) repentant Fitzpiers, thus sealing her fate as the wife of an unworthy man. This is after Suke’s husband Timothy Tangs has set a man trap to try to crush Fitzpiers’ leg but it only tears Grace’s skirt.

No one is left to mourn Giles except a courageous peasant girl named Marty South,who has always loved him. Marty is a plain girl whose only attribute is her beautiful hair. She is persuaded to sell this at the start of the story to a barber who is procuring it for Mrs Charmond, after Marty realises that Giles loves Grace and not her. She precipitates the final quarrel between Fitzpiers and Mrs Charmond by writing to Fitzpiers and telling him of the origin of most of Mrs Charmond’s hair.

Another review …

http://www.independent.co.uk/arts-entertainment/books/books-the-woodlanders-1887-by-thomas-hardy-1337143.html

Here is the enotes page for The Woodlanders

http://www.enotes.com/topics/woodlanders

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The Mayor of Casterbridge – Thomas Hardy

The Mayor of Casterbridge - Thomas Hardy

The Mayor of Casterbridge – Thomas Hardy

I read this at school. I think it was one of the reasons I never read Hardy again (until late last year) or it could be because of my very creepy english teacher.

I vaguely remember waffling on in an essay about how an event can be like a stone in a pond – the ripples just keep moving outwards (very metaphorical).

I was much more sympathetic this time round to all of the characters, but Henchard in particular.

Here is the blurb …

In a fit of drunken anger, Michael Henchard sells his wife and baby daughter for five guineas at a country fair. Over the course of the following years, he manages to establish himself as a respected and prosperous pillar of the community of Casterbridge, but behind his success there always lurk the shameful secret of his past and a personality prone to self-destructive pride and temper. Subtitled ‘A Story of a Man of Character’, Hardy’s powerful and sympathetic study of the heroic but deeply flawed Henchard is also an intensely dramatic work, tragically played out against the vivid backdrop of a close-knit Dorsetshire town.

And here is the Wikipedia plot summary.

This was different from the previous Hardy novels that I have read. First, there wasn’t a main female protagonist (no Fancy Day or Bathsheba Everdene). It was all about Henchard and how his character flaws bring about his downfall – although the poor man couldn’t get a break (even the bird is sacrificed!). Hardy can be cruel to his characters.

You could also argue that it is a fight between the old ways (Henchard) and the new (Farfrae) and the passing away of a way of life in rural England, but ultimately it is a tragedy –  Henchard is brought low by his own impulsive actions; selling his wife, trying to keep that a secret and rash business decisions.

Here is the cliff notes on The Mayor of Casterbridge

The Thomas Hardy page at Victoria Web and The Mayor of Casterbridge page.

I am really glad we (my Victorian group and I) have embarked on this Thomas Hardy marathon – just Tess to go.

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The Tidal Zone – Sarah Moss

The Tidal Zone - Sarah Moss

The Tidal Zone – Sarah Moss

I read about this book here – and as I tend to enjoy everything recommended by dovergreyreader, I decided promptly to download it to my kindle.

Here is the blurb …

Adam is a stay-at-home dad who is also working on a history of the bombing and rebuilding of Coventry Cathedral. He is a good man and he is happy. But one day, he receives a call from his daughter’s school to inform him that, for no apparent reason, fifteen-year-old Miriam has collapsed and stopped breathing. In that moment, he is plunged into a world of waiting, agonising, not knowing. The story of his life and the lives of his family are rewritten and re-told around this shocking central event, around a body that has inexplicably failed. In this exceptionally courageous and unflinching novel of contemporary life Sarah Moss goes where most of us wouldn’t dare to look, and the result is riveting – unbearably sad, but also miraculously funny and ultimately hopeful. The Tidal Zone explores parental love, overwhelming fear, illness and recovery. It is about clever teenagers and the challenges of marriage. It is about the NHS, academia, sex and gender in the twenty-first century, the work-life juggle, and the politics of packing lunches and loading dishwashers. It confirms Sarah Moss as a unique voice in modern fiction and a writer of luminous intelligence.

This novel is beautifully written – a compelling page turner about modern families, working and non-working parents, the over-whelming fear, panic and guilt that come with an ill child. It also to some extent explores different life/work choices.

This novel explores what it is like to be a parent in today’s world – where paying the mortgage and supporting a family are harder than ever before, the unrelenting grind of domesticity, a world where you are judged by your job (or lack of one).

More reviews …

https://www.theguardian.com/books/2016/jul/09/the-tidal-zone-sarah-moss-review-novel-nhs-parental-anxiety

http://www.independent.co.uk/arts-entertainment/books/book-review-the-tidal-zone-by-sarah-moss-parenting-through-a-prism-of-trauma-a7134981.html

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The Good Life – Hugh Mackay

The Good Life - Hugh McKay

The Good Life – Hugh Mackay

A bit of a departure from my normal fiction reading – this was recommended by a friend and I took a long time reading it. I read a little bit at a time taking copious notes.

Here is the blurb …

“No one can promise you that a life lived for others will bring you a deep sense of satisfaction, but it’s certain that nothing else will.”

Hugh Mackay has spent his entire working life asking Australians about their values, motivations, ambitions, hopes and fears. Now, in The Good Life, he addresses the ultimate question: What makes a life worth living?

His conclusion is provocative. The good life is not the sum of our security, wealth, status, postcode, career success and levels of happiness. The good life is one defined by our capacity for selflessness, the quality of our relationships and our willingness to connect with others in a useful way.

Mackay examines what is known as the Golden Rule through the prisms of religion, philosophy, politics, business and family life. And he explores the numerous and often painful ways we distract ourselves from this central principle: our pursuit of pleasure, our attempts to perfect ourselves and our children, and our conviction that we can have our lives under control.

Argued with all the passion and intelligence we have come to expect from one of Australia’s most prolific and insightful authors, The Good Life is a book that will start conversations, ignite arguments and possibly even change the way we live our lives.

I think reading it a little at a time really helped me to absorb Mr Mackay’s message, which ultimately distills down to ‘do unto others as you would have done to yourself’. It is very readable with the occasional real life example.

Here are some quotes …

If you adopt a rigid world view – religious, anti-religious, political, economic, academic,  aesthetic or otherwise – you tend to see everything through the filter of your convictions, and, not surprisingly, you see what you are looking for.

Fundamentalism, religious and otherwise, is like a steel trap that imprisons the soul and inhibits freedom to wonder.

The integrity of any theory lies in its falsifiability – that is, its openness to the possibility of repudiation in the light of more evidence, fresh insights or a more creative interpretation of data whose significance was not previously understood.

Certainty is the enemy of reason and reasonableness. It fuels our complacency and arrogance, wrapping us in a cocoon of self-confidence, perhaps even self-righteousness.

Intelligence is not an achievement to be admired, or a goal to aspire to; it is mainly an accident of birth, plus or minus a bit of training and encouragement. We all have it, and some people have more than others, but intelligence in no way predicts the kind of person we are likely to become, the level of contentment we are likely to attain or the influence, good or bad, we are likely to exert on the lives of others.

The thing to nurture in our children – is not only the maximising of our intellectual potential, but the maximising of our potential for goodness.

[…] those who plug away, year after thankless year, doing their best to be faithful partners, loving parents, good neighbours and responsible citizens. These are the unsung heroes…

Painful as it can be to admit, an overly busy life – rushing here, rushing there – can be a highly effective insulation from engagement with the very people who made need you to stop running, listen to them and take them seriously enough to spend time with them.

Self-absorption is not a recognised path to goodness.

At its heart, that’s all morality is about; co-operation, mutual respect, a sense of community, a spirit of egalitarianism …

[…] we can nurture the goodness in us by associating with people whose goodness we recognise and admire, avoiding the close company of those whose self-interest infects everything they do and may infect our own thinking in the same way.

Here are some of the things I learnt while reading …

Power, wealth, status and fame have the potential to corrupt us in three ways
1.  Encourage a sense of entitlement based on an assumption of superiority
2.  Fuelling our greed.
3.  We judge people by the same criteria we use to measure our own success.

Each life has the meaning we ourselves choose to invest in it.

This book is well worth reading, but read it a chapter at a time and give yourself a bit of time for reflection before moving on to the next chapter.

Another review …

http://www.smh.com.au/entertainment/books/the-good-life-20130517-2jrtb.html

 

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The Golden Age – Joan London

The Golden Age - Joan London

The Golden Age – Joan London

I went to a talk at my local library given by Joan London. There was a book signing afterwards, so, of course, I had to buy a copy. It then languished on my book shelf for several months before I finally decided to read it – it was great I enjoyed all of the Perth references.

Here is the blurb …

This is a story of resilience, the irrepressible, enduring nature of love, and the fragility of life. From one of Australia’s most loved novelists.

He felt like a pirate landing on an island of little maimed animals. A great wave had swept them up and dumped them here. All of them, like him, stranded, wanting to go home. It is 1954 and thirteen-year-old Frank Gold, refugee from wartime Hungary, is learning to walk again after contracting polio in Australia.

At the Golden Age Children’s Polio Convalescent Hospital in Perth, he sees Elsa, a fellow-patient, and they form a forbidden, passionate bond. The Golden Age becomes the little world that reflects the larger one, where everything occurs, love and desire, music, death, and poetry. Where children must learn that they are alone, even within their families.

Written in Joan London’s customary clear-eyed prose, The Golden Age evokes a time past and a yearning for deep connection. It is a rare and precious gem of a book from one of Australia’s finest novelists.

I found this story fascinating – the social history, medical practices in the ’50s, damaged people recovering from the horrors of World War 2, music, poetry, love and families. This novel is beautifully written – understated, but creating quite an impact. It is a quiet story about a forgotten part of Perth’s history, but covers an enormous amount of human experience and emotion.

More reviews …

https://www.australianbookreview.com.au/abr-online/current-issue/122-september-2014-no-364/2103-joan-london-s-new-novel

http://www.theaustralian.com.au/arts/review/joan-londons-the-golden-age-is-written-in-the-poetic-language-of-love/news-story/684eedcee2f3a10b50de778191e566ff

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What days are for – Robert Dessaix

What days are for - Robert Dessaix

What days are for – Robert Dessaix

I have never read anything by Robert Dessaix and I am not sure if I would have sought him out on my own, but this was a gift, so I gave it a go and I am very glad I did.

Here is the blurb …

Witty, acerbic, insightful musings from Robert Dessaix, one of Australia’s finest writers.
One Sunday night in Sydney, Robert Dessaix collapses in a gutter in Darlinghurst, and is helped to his hotel by a kind young man wearing a T-shirt that says F**K YOU.
What follows are weeks in hospital, tubes and cannulae puncturing his body, as he recovers from the heart attack threatening daily to kill him. While lying in the hospital bed, Robert chances upon Philip Larkin’s poem ‘Days’. What, he muses, have his days been for? What and who has he loved – and why?
This is vintage Robert Dessaix. His often surprisingly funny recollections range over topics as eclectic as intimacy, travel, spirituality, enchantment, language and childhood, all woven through with a heightened sense of mortality

This book has a lovely conversational style – I always enjoy hearing people’s stories and when it is as eloquent as this, then it is a joy to read.

More reviews …

http://www.smh.com.au/entertainment/books/robert-dessaixs-new-memoir-what-days-are-for-20141111-11jfde.html

http://www.theaustralian.com.au/arts/review/robert-dessaixs-what-days-are-for-is-an-illuminating-memoir/news-story/b9a96a866b7ecb01654a14059f130b16

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Filed under Memoir, Recommended