I first heard about this series at Cornflower Books and decided to listen to the Audible version.
Here is the Wikipedia summary
Living mostly by his wits and his sword-arm in 16th-century Scotland, Francis Crawford of Lymond is a charismatic figure: polyglot scholar, soldier, musician, master of disguises, nobleman—and accused outlaw. After five years in exile, Lymond has recently returned to Scotland, in defiance of Scottish charges against him for pro-English treason and murder. He has assembled a band of mercenaries and ruffians who follow his ruthless leadership. The reader gradually learns that Lymond has returned with the goal of proving his innocence and restoring his name. To do so, he must find the man who framed him and condemned him to two years as a French galley slave before he managed to escape. His family, the Crawfords, also cannot avoid becoming entangled in the complex politics between England and Scotland, including the Anglo-Scottish wars, Scotland’s alliance with France, and skirmishes in the Borders region.
The novel is constructed as an intricate mystery, punctuated by set pieces of adventure, high comedy, and intense drama. Will Lymond prove himself innocent, die in the attempt, or be captured and hanged? Moreover, who is Lymond, and what are his motives and his true relationships with the other characters? Lymond leaves no one indifferent to him: some of the key characters—such as Richard Crawford, third Baron Culter and Lymond’s older brother, and Margaret Douglas, Countess of Lennox—are one-time friends or intimates who become his mortal enemies. Betrayals and double-crosses, both potential and actual, abound. The pieces of the mystery only fit together late in the story as revelations at a trial.
A number of historical persons appear in the novel, many as important characters. They include members of the Scott clan including Sir Walter Scott of Buccleuch, his wife, Janet Beaton, and his son William Scott of Kincurd, who becomes Lymond’s second-in-command in his band of outlaws; Mary of Guise, the Queen Dowager of Scotland and her young daughter, Mary, Queen of Scots; and members of the Douglas family including Archibald Douglas, 6th Earl of Angus, his brother Sir George Douglas, his daughter Margaret Douglas, Countess of Lennox (niece of Henry VIII), and Margaret’s husband Matthew Stewart, 4th Earl of Lennox, a potential claimant to the Scottish throne if the young Mary, Queen of Scots, died. The English military leaders responsible for prosecuting the war of The Rough Wooing, Sir William Grey and Lord Thomas Wharton, also have prominent, and often comedic, roles.
I really enjoyed it and will definitely read/listen to more in the series. 4/5
A friend was given this, but doesn’t read novels so passed it onto me. I read The Museum of Modern Love (I don’t seem to have blogged that one), but didn’t appreciate it was the same author.
Here’s the blurb …
How far would your government go?
A right-wing US president has withdrawn America from the Middle East and the UN. Daesh has a thoroughfare to the sea and China is Australia’s newest ally. When a bomb goes off in remote Tasmania, Astrid Coleman agrees to return home to help her brother before an upcoming election. But this is no simple task. Her brother and sister are on either side of politics, the community is full of conspiracy theories, and her father is quoting Shakespeare. Only on Bruny does the world seem sane.
Until Astrid discovers how far the government is willing to go.
Bruny is a searing, subversive, brilliant novel about family, love, loyalty and the new world order.
This novel was compelling – part espionage, romance and family drama. Well-written and thought provoking. 4/5
I read The English Patient loved it, but struggled to get to the end. And have avoided his novels ever since, so I am not really sure why I picked this one up from the second hand book store.
In a narrative as mysterious as memory itself – at once both shadowed and luminous – Warlight is a vivid, thrilling novel of violence and love, intrigue and desire. It is 1945, and London is still reeling from the Blitz and years of war. 14-year-old Nathaniel and his sister, Rachel, are apparently abandoned by their parents, left in the care of an enigmatic figure named The Moth. They suspect he might be a criminal, and grow both more convinced and less concerned as they get to know his eccentric crew of friends: men and women with a shared history, all of whom seem determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? A dozen years later, Nathaniel begins to uncover all he didn’t know or understand in that time, and it is this journey – through reality, recollection, and imagination – that is told in this magnificent novel
It was great – easy to read and I learnt heaps about war time England and post war Europe. Definitely worth reading if you like historical fiction. 4/5
For years Kitty Hawke has lived alone on Wolfe Island, witness to the island’s erosion and clinging to the ghosts of her past. Her work as a sculptor and her wolfdog Girl are enough. News of mainland turmoil is as distant as myth until refugees from that world arrive: her granddaughter Cat, and Luis and Alejandra, a brother and sister escaping persecution. When threats from the mainland draw closer, they are forced to flee for their lives. They travel north through winter, a journey during which Kitty must decide what she will do to protect the people she loves.
Part western, part lament for a disappearing world, Wolfe Island (set off the northeast coast of the US) is a transporting novel that explores connection and isolation and the ways lives and families shatter and are remade
I read Salt Creek (and presented it to my historical book club), but I think this one is better. It is thrilling (action-wise), but also has fabulous character development and settings. 4/5
‘They kill us, they crucify us, they throw us to beasts in the arena, they sew our lips together and watch us starve. They bugger children in front of their mothers and violate men in front of their wives. The temple priests flay us openly in the streets. We are hunted everywhere and we are hunted by everyone …
We are despised, yet we grow. We are tortured and crucified and yet we flourish. We are hated and still we multiply. Why is that? You have to wonder, how is it that we not only survive but we grow stronger?’
Christos Tsiolkas’ stunning new novel Damascus is a work of soaring ambition and achievement, of immense power and epic scope, taking as its subject nothing less than events surrounding the birth and establishment of the Christian church. Based around the gospels and letters of St Paul, and focusing on characters one and two generations on from the death of Christ, as well as Paul (Saul) himself, Damascus nevertheless explores the themes that have always obsessed Tsiolkas as a writer: class, religion, masculinity, patriarchy, colonisation, exile; the ways in which nations, societies, communities, families and individuals are united and divided – it’s all here, the contemporary and urgent questions, perennial concerns made vivid and visceral.
In Damascus, Tsiolkas has written a masterpiece of imagination and transformation: an historical novel of immense power and an unflinching dissection of doubt and faith, tyranny and revolution, and cruelty and sacrifice.
This was beautiful and brutal and definitely not for the faint-hearted. 4/5
You can talk about living in the Mallee. And you can talk about a Mallee tree. And you can talk about the Mallee itself: a land and a place full of red sand and short stubby trees. Silent skies. The undulating scorch of summer plains. Quiet, on the surface of things.
But Elise wasn’t from the Mallee, and she knew nothing of its ways.
Discover the world of a small homestead perched on the sunburnt farmland of northern Victoria. Meet Elise, whose urbane 1950s glamour is rudely transplanted to the pragmatic red soil of the Mallee when her husband returns to work the family farm. But you cannot uproot a plant and expect it to thrive. And so it is with Elise. Her meringues don’t impress the shearers, the locals scoff at her Paris fashions, her husband works all day in the back paddock, and the drought kills everything but the geraniums she despises.
As their mother withdraws more and more into herself, her spirited, tearaway daughters, Marjorie and Ruby, wild as weeds, are left to raise themselves as best they can. Until tragedy strikes, and Marjorie flees to the city determined to leave her family behind. And there she stays, leading a very different life, until the boy she loves draws her back to the land she can’t forget…
‘In the same vein as Rosalie Ham, Brinsden weaves a compelling story of country Australia with all its stigma, controversy and beauty.’ Fleur McDonald
I seem to be on a bit of an Australian fiction writing thing. This novel had a beautiful and interesting way with words. One of the characters has unstable mental health and the way the reader can see the madness creeping in is fabulous. 4/5