It has been a long time – since April – and I have 22 books that need to be blogged (eventually).
This was recommended by a friend and I enjoyed it. Another friend, couldn’t finish it, so it might not be for everyone.
Here’s the blurb …
When Emira is apprehended at a supermarket for ‘kidnapping’ the white child she’s actually babysitting, it sets off an explosive chain of events. Her employer Alix, a feminist blogger with a ‘personal brand’ and the best of intentions, resolves to make things right.
But Emira herself is aimless, broke and wary of Alix’s desire to help. When she meets someone from Alix’s past, the two women find themselves on a crash course that will upend everything they think they know – about themselves, each other, and the messy dynamics of privilege
I am giving this one 3/5. I liked it, but I probably won’t read it again.
The long-awaited third in the Thomas Cromwell trilogy.
‘If you cannot speak truth at a beheading, when can you speak it?’
England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour.
Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him?
With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage.
This book will be forever known as my quarantine book – my reading it has co-incided with our lockdown (five weeks now).
This is a large book (physically – I should have bought a kindle version) and it took me a long time to read, but I enjoyed it. I even re-watched the Wolf Hall T.V adaptation. And I have bought Diarmaid MacCulloch’s Thomas Cromwell.
I first heard about this series at Cornflower Books and decided to listen to the Audible version.
Here is the Wikipedia summary
Living mostly by his wits and his sword-arm in 16th-century Scotland, Francis Crawford of Lymond is a charismatic figure: polyglot scholar, soldier, musician, master of disguises, nobleman—and accused outlaw. After five years in exile, Lymond has recently returned to Scotland, in defiance of Scottish charges against him for pro-English treason and murder. He has assembled a band of mercenaries and ruffians who follow his ruthless leadership. The reader gradually learns that Lymond has returned with the goal of proving his innocence and restoring his name. To do so, he must find the man who framed him and condemned him to two years as a French galley slave before he managed to escape. His family, the Crawfords, also cannot avoid becoming entangled in the complex politics between England and Scotland, including the Anglo-Scottish wars, Scotland’s alliance with France, and skirmishes in the Borders region.
The novel is constructed as an intricate mystery, punctuated by set pieces of adventure, high comedy, and intense drama. Will Lymond prove himself innocent, die in the attempt, or be captured and hanged? Moreover, who is Lymond, and what are his motives and his true relationships with the other characters? Lymond leaves no one indifferent to him: some of the key characters—such as Richard Crawford, third Baron Culter and Lymond’s older brother, and Margaret Douglas, Countess of Lennox—are one-time friends or intimates who become his mortal enemies. Betrayals and double-crosses, both potential and actual, abound. The pieces of the mystery only fit together late in the story as revelations at a trial.
A number of historical persons appear in the novel, many as important characters. They include members of the Scott clan including Sir Walter Scott of Buccleuch, his wife, Janet Beaton, and his son William Scott of Kincurd, who becomes Lymond’s second-in-command in his band of outlaws; Mary of Guise, the Queen Dowager of Scotland and her young daughter, Mary, Queen of Scots; and members of the Douglas family including Archibald Douglas, 6th Earl of Angus, his brother Sir George Douglas, his daughter Margaret Douglas, Countess of Lennox (niece of Henry VIII), and Margaret’s husband Matthew Stewart, 4th Earl of Lennox, a potential claimant to the Scottish throne if the young Mary, Queen of Scots, died. The English military leaders responsible for prosecuting the war of The Rough Wooing, Sir William Grey and Lord Thomas Wharton, also have prominent, and often comedic, roles.
I really enjoyed it and will definitely read/listen to more in the series. 4/5
Years ago I read The Legacy – and enjoyed it, so when I saw this at a library sale I purchased it. It then took me three years to get around to reading it.
Here’s the blurb
From the critically acclaimed author of The Legacy comes a riveting new novel about a group of friends whose longtime tensions and rivalries are suddenly exposed after one of them dies suddenly.
A WASHINGTON SQUARE PRESS PAPERBACK ORIGINAL THEY WERE ORIGINALLY FIVE.
Elliot. Brian. Tallis. Cameron. And Dylan—charismatic Dylan—the mediator, the man each one turned to in a time of crisis. Five close friends, bonded in college, still coming together for their annual trip to Las Vegas. This year they are four. Four friends, sharing a common loss: Dylan’s tragic death. A common loss that, upon their arrival in Vegas, will bring with it a common threat: one that will make them question who their departed friend really was, and whether he was ever worthy of their grief.
“Brimming with blackmail and deception” and “laced with simmering emotional tension” (Australian Bookseller & Publisher), A Common Loss is a hypnotic tale from an exciting new voice in literary fiction.
I enjoyed this one too – although it did take me awhile to realise the narrator was a man. 3/5
A friend was given this, but doesn’t read novels so passed it onto me. I read The Museum of Modern Love (I don’t seem to have blogged that one), but didn’t appreciate it was the same author.
Here’s the blurb …
How far would your government go?
A right-wing US president has withdrawn America from the Middle East and the UN. Daesh has a thoroughfare to the sea and China is Australia’s newest ally. When a bomb goes off in remote Tasmania, Astrid Coleman agrees to return home to help her brother before an upcoming election. But this is no simple task. Her brother and sister are on either side of politics, the community is full of conspiracy theories, and her father is quoting Shakespeare. Only on Bruny does the world seem sane.
Until Astrid discovers how far the government is willing to go.
Bruny is a searing, subversive, brilliant novel about family, love, loyalty and the new world order.
This novel was compelling – part espionage, romance and family drama. Well-written and thought provoking. 4/5
This is the first book of 2020 for my historical book club.
Here’s the blurb …
It is March 30th 1924.
It is Mothering Sunday.
How will Jane Fairchild, orphan and housemaid, occupy her time when she has no mother to visit? How, shaped by the events of this never to be forgotten day, will her future unfold?
Beginning with an intimate assignation and opening to embrace decades, Mothering Sunday has at its heart both the story of a life and the life that stories can magically contain. Constantly surprising, joyously sensual and deeply moving, it is Graham Swift at his thrilling best.
I really enjoyed the first two-thirds and was not taken with the last third. 3/5
This is my book club book for this month (January) – not a book I would have chosen and I am not sure why as I really enjoyed The Book Thief.
Bridge of Clay is about a boy who is caught in the current – of destroying everything he has, to become all he needs to be. He’s a boy in search of greatness, as a cure for memory and tragedy. He builds a bridge to save his family, but also to save himself. It’s an attempt to transcend humanness, to make a single, glorious moment:
A miracle and nothing less.
I loved it – found it compelling. It had a generous spirit (and I am not sure why but reminded my of Trent Dalton’s Boy Swallows Universe – maybe just all of those boys). 5/5
I was on holiday and wanted to buy a paper book by an Australian author – this was the one I chose.
Seven Types of Ambiguity is a psychological thriller and a literary adventure of breathtaking scope. Celebrated as a novelist in the tradition of Jonathan Franzen and Philip Roth, Elliot Perlman writes of impulse and paralysis, empty marriages, lovers, gambling, and the stock market; of adult children and their parents; of poetry and prostitution, psychiatry and the law. Comic, poetic, and full of satiric insight, Seven Types of Ambiguity is, above all, a deeply romantic novel that speaks with unforgettable force about the redemptive power of love.
The story is told in seven parts, by six different narrators, whose lives are entangled in unexpected ways. Following years of unrequited love, an out-of-work schoolteacher decides to take matters into his own hands, triggering a chain of events that neither he nor his psychiatrist could have anticipated. Brimming with emotional, intellectual, and moral dilemmas, this novel-reminiscent of the richest fiction of the nineteenth century in its labyrinthine complexity-unfolds at a rapid-fire pace to reveal the full extent to which these people have been affected by one another and by the insecure and uncertain times in which they live. Our times, now.
I loved it – it was dense (but not hard to read), literary and compelling (it’s long and I read it in a week). 5/5 (my first for the year).
I read The English Patient loved it, but struggled to get to the end. And have avoided his novels ever since, so I am not really sure why I picked this one up from the second hand book store.
In a narrative as mysterious as memory itself – at once both shadowed and luminous – Warlight is a vivid, thrilling novel of violence and love, intrigue and desire. It is 1945, and London is still reeling from the Blitz and years of war. 14-year-old Nathaniel and his sister, Rachel, are apparently abandoned by their parents, left in the care of an enigmatic figure named The Moth. They suspect he might be a criminal, and grow both more convinced and less concerned as they get to know his eccentric crew of friends: men and women with a shared history, all of whom seem determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? A dozen years later, Nathaniel begins to uncover all he didn’t know or understand in that time, and it is this journey – through reality, recollection, and imagination – that is told in this magnificent novel
It was great – easy to read and I learnt heaps about war time England and post war Europe. Definitely worth reading if you like historical fiction. 4/5