I don’t think I have read an Atwood novel that I haven’t liked. So I was keen to read this – I did ask at my local Dymocks and they hadn’t heard of it, which is very upsetting. Anyway this is a re-telling of Shakespeare’s The Tempest (part of the Hogarth Shakespeare project). I know nothing about The Tempest, so I read the wikipedia summary (although having read that I think The Collector by John Fowles might have some Tempest allusions – there is a Miranda, a man who wants to be called Ferdinand, but gets called Caliban – I do wonder now what my English Lit teacher was thinking not to mention Shakespeare?)
Here’s the blurb …
The Tempest is set on a remote island full of strange noises and creatures. Here, Prospero, the deposed Duke of Milan, plots to restore the fortunes of his daughter Miranda by using magic and illusion — starting with a storm that will bring Antonio, his treacherous brother, to him. All Prospero, the great sorcerer, needs to do is watch as the action he has set in train unfolds.
In Margaret Atwood’s ‘novel take’ on Shakespeare’s original, theatre director Felix has been unceremoniously ousted from his role as Artistic Director of the Makeshiweg Theatre. When he lands a job teaching theatre in a prison, the possibility of revenge presents itself — and his cast find themselves taking part in an interactive and illusion-ridden version of The Tempest that will change their lives forever.
I found this to be quite the page turner – and I am quite sure I wouldn’t have found the original to be so enthralling.
It is such a clever, fun, modern interpretation (and the prisoners offer insightful commentary about the original).
As with all Atwood novels, it is beautifully written – her choice of words is extraordinary (it must be the poet in her). I wish she would write for the Austen project, which apart from Northanger Abbey has been quite disappointing.
More reviews …