Crossing to Safety – Wallace Stegner

Crossing to Safety - Wallace Stegner

Crossing to Safety – Wallace Stegner

This was such a fabulous book and I am yet to hear a dissenting voice on how good it is.

Here is the blurb …

When two young couples meet for the first time during the Great Depression, they quickly find they have much in common: Charity Lang and Sally Morgan are both pregnant, while their husbands Sid and Larry both have jobs in the English department at the University of Wisconsin. Immediately a lifelong friendship is born, which becomes increasingly complex as they share decades of love, loyalty, vulnerability and conflict. Written from the perspective of the aging Larry Morgan, Crossing to Safety is a beautiful and deeply moving exploration of the struggle of four people to come to terms with the trials and tragedies of everyday life.

It is beautifully written – understated and simple, but brilliant.  It is unusual to read a novel about marriage that isn’t about just starting out or ending in disaster. However, this novel is about more than that – it is about living the good life (in the moral sense), how to contribute to the world, about writing and reading (perhaps that is why all readers like it?), women’s role in the world (Poor Charity has to live vicariously through her husband) and finally it is about what makes a good death and who gets to decide that – the dying or those left behind.

I can’t recommend this book highly enough.

More reviews …

http://www.independent.co.uk/arts-entertainment/books/reviews/my-book-of-a-lifetime-crossing-to-safety-by-wallace-stegner-1051770.html

http://www.nytimes.com/1987/09/20/books/the-grace-of-old-lovers.html

Crossing to Safety by Wallace Stegner

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Tess of the D’Urbervilles – Thomas Hardy

Tess of the D'Urbervilles - Thomas Hardy

Tess of the D’Urbervilles – Thomas Hardy

This is the last of my Hardy novels for my Victorian Literature group – you can definitely see Hardy’s increasing maturity as a writer when you read them in chronological order. Having said that, however, I still think The Woodlanders my favourite. I am sure this novel has more literary merit, but Tess’s life is so grim.

Here is the plot summary from Shmoop

Tess Durbeyfield is a (totally and completely doomed) country girl living in the late 19th Century in an English village that seems secluded, even though it’s only a four-hour journey from London. Her father learns in the first chapter that he is the last lineal descendent of the D’Urbervilles—one of the oldest, most aristocratic, families in all of England. He foolishly assumes that his aristocratic heritage will suffice to pull his family out of poverty, and so he sends Tess off to “claim kin” (i.e., to borrow money on the strength of their distant family ties) from a wealthy branch of the D’Urbervilles.

Tess is a very pretty girl, and very “womanly” (i.e., sexy) for her age, and the son of the wealthy D’Urbervilles, Alec, tries to seduce her. He finds her too proud and modest to fall into his snares, and so he tricks her into accepting a ride from him back to the family house at night, and cuts through the woods. After getting lost (possibly on purpose), Alec leaves Tess to fall asleep under a tree while he tries to find the path. He comes back, and, finding her asleep, takes advantage of their solitude to rape her under the trees.

The next phase of the book (“Maiden No More”) opens with Tess back at her parents’ house in the village of Marlott. She’s had a baby as a result of her connection with Alec, and has secluded herself from her former friends out of a combination of shame and pride. She works a few odd jobs to make money, and things are going okay until her baby suddenly gets sick… and dies. Tess is more worried about the baby’s soul than anything else, so she buries it in the churchyard on the sly.

Time passes, and most of her friends and neighbors have forgotten about Tess’s troubles. But she hasn’t, so she decides to go to a neighboring county to work at a dairy farm where nobody knows her. One of the other workers at the dairy, Angel Clare, is the son of a gentleman. Angel is learning about farming so that he can move to the colonies in America and become a wealthy farmer there. He and Tess gradually fall in love.

Tess wants to tell Angel about her past, but she can’t bring herself reveal it to him. Finally, the night before they’re supposed to get married, she slips a note under his door confessing everything. When he doesn’t say anything about it the next morning, she assumes all is forgiven—but really, he never saw the note. On their wedding night, he confesses to her that he’d had a brief fling with a strange woman in London long before he’d met Tess. So Tess feels like she can tell him about Alec, since that wasn’t her fault.

But Angel doesn’t see it that way. He’s shocked and horrified that she’s not a virgin, and runs off to South America to try and forget about her. Tess is heart-broken and wanders from job to job, trying to leave her problems behind her. But her problems keep finding her. Alec runs into her on the road, and even though he’s become a Christian, he becomes obsessed with her again. Eventually he persuades her to live with him, even though she’s legally married to Angel. But she’s given up hope that Angel will ever come back to her.

But he does come back to her, and when she sees Angel, she stabs Alec in their hotel room. Angel realizes that he’s partly responsible for the murder, and runs away with her. They flee together across the countryside, and are finally caught by the authorities at Stonehenge, an ancient monument of huge stones in the English countryside that was built by the druids or even earlier. “Justice” catches up with Tess, and she is hanged.

I listened to this one (it was read by Anna Bentinck), which, as Hardy is a poet first, means I have a much greater appreciation for how his work sounds.

I think Hardy has pyschological insight – like this (Tess has returned home after being ruined (seduced/raped) by Alec D’Urberville

Their chatter, their laughter, their good-humoured innuendoes, above all, their flashes and flickerings of envy, revived Tess’s spirits also; and, as the evening wore on, she caught the infection of their excitement, and grew almost gay. The marble hardness left her face, she moved with something of her old bounding step, and flushed in all her young beauty.At moments, in spite of thought, she would reply to their inquiries with a manner of superiority, as if recognizing that her experiences in the field of courtship had, indeed, been slightly enviable. But so far was she from being, in the words of Robert South, “in love with her own ruin,” that the illusion was transient as lightning; cold reason came back to mock her spasmodic weakness; the ghastliness of her momentary pride would convict her, and recall her to reserved listlessness again.

It must be quite unusual for a 19th century novel to have a working class heroine as its main protagonist. I am intrigued as to what contemporary readers thought.

Hardy is highlighting the complete lack of control or agency that Tess (or any woman) has over her life. Also the incredible hypocrisy and double-standards of the time – Angel cannot forgive Tess for not being innocent despite confessing a prior entanglement. There is a lot of tramping about the country side (Tess walks 15 miles to the vicarage at Eminister and back again in one day), descriptions of lush dairy country and harsh upland country. Country customs and conversations plus the usual Hardy pre-occupation with villages losing their tradespeople as life leases end.

 

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Precious Things – Kelly Doust

Precious Things - Kelly Doust

Precious Things – Kelly Doust

I saw a poster for this in Boffins and it sounded so interesting I had to have it.

Here is the blurb …

In the tradition of gloriously absorbing, lush and moving women’s fiction by authors such as Kate Morton, Lucinda Riley and Joanne Harris comes PRECIOUS THINGS.
Normandy, France, 1891: a young woman painstakingly sews an intricate beaded collar to her wedding dress, the night before her marriage to someone she barely knows. Yet Aimee longs for so much more …
Shanghai, 1926: dancing sensation and wild child Zephyr spies what looks like a beaded headpiece lying carelessly discarded on a ballroom floor. She takes it with her to Malaya where she sets her sights on a prize so out of reach that, in striving for it, she will jeopardise everything she holds dear …
PRECIOUS THINGS tells the story of a collar – a wonderful, glittering beaded piece – and its journey through the decades. It’s also the story of Maggie, an auctioneer living in modern-day London, who comes across the crumpled, neglected collar in a box of old junk, and sets out on an unexpected mission to discover more about its secret and elusive past.
Maggie has a journey of her own too. Juggling a demanding job, a clingy young child and a rebellious stepdaughter, and with her once-solid marriage foundering under the pressure of a busy life, Maggie has to find out the hard way that you can’t always get what you want… but sometimes, you’re lucky enough to get precisely what you need.
This is a wonderful, absorbing and moving novel about desire, marriage and family, telling the story about how we so often reach out for the sparkly, shiny things (and people) we desire, only to realise – in the nick of time – that the most precious things are the ones we’ve had with us all along.

What is not to like about this novel? Beads, embroidery, mystery, interesting women’s lives. There was different times, different countries, a beautiful, but seemingly unlucky, beaded collar.

I loved it. It was a nice, easy read with some fantastic locations and characters – a trapeze artist, a painter’s muse…. It is also about relationships and the way women make things work – Lexi, taking risks and making all of the decisions, Maggie juggling a demanding job and a small child, but, also parent child relationships. As much as I loved this novel, this emotional side was a bit weak for me – I can see where she wanted to go a rich weaving of past and present connected by the collar, but I don’t think it quite got there. Having said that it is still an enjoyable novel and I think it would make a spectacular film – just imagine the costumes!

Another review …

http://www.smh.com.au/entertainment/books/precious-things-review-craft-to-the-fore-in-kelly-dousts-debut-novel-20160620-gpn6p1.html

 

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The Dry – Jane Harper

The Dry - Jane Harper

The Dry – Jane Harper

This book is everywhere – huge piles of it at Dymocks and you could buy it cheaply from Big W. It’s ubiquity put me off, but when it was selected by my book club I was prepared to give it a go.

Here is the blurb …

Luke Hadler turns a gun on his wife and child, then himself. The farming community of Kiewarra is facing life and death choices daily. If one of their own broke under the strain, well…
When Federal Police investigator Aaron Falk returns to Kiewarra for the funerals, he is loath to confront the people who rejected him twenty years earlier. But when his investigative skills are called on, the facts of the Hadler case start to make him doubt this murder-suicide charge.
And as Falk probes deeper into the killings, old wounds start bleeding into fresh ones. For Falk and his childhood friend Luke shared a secret… A secret Falk thought long-buried… A secret which Luke’s death starts to bring to the surface…

What this book did brilliantly was create the feeling of heat

The late afternoon heat draped itself around him like a blanket.

and the belligerent men at the pub (I think they come standard with all small Australian towns).

This was a real page turner I wanted to know what happened to the Hadlers, but I also wanted to know what happened to Ellie. I did guess who did it, but not why.

This was a quick and enjoyable read, which I think would make a great movie (you can almost hear the background cricket noise – the insect not the game).

 

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The Birdman’s Wife – Melissa Ashley

The Birdman's Wife -

The Birdman’s Wife – Melissa Ashley

This is a beautiful book – it has some of Elizabeth Gould’s painting reproduced on the cover and flyleaf.

This is the story of Elizabeth Gould wife of the more famous John Gould. Here is the blurb …

Inspired by a letter found tucked inside her famous husband’s papers, The Birdman’s Wife imagines the fascinating inner life of Elizabeth Gould, who was so much more than just the woman behind the man.
Elizabeth was a woman ahead of her time, juggling the demands of her artistic life with her roles as wife, lover and helpmate to a passionate and demanding genius, and as a devoted mother who gave birth to eight children. In a society obsessed with natural history and the discovery of new species, the birdman’s wife was at its glittering epicentre. Her artistry breathed life into hundreds of exotic finds, from her husband’s celebrated collections to Charles Darwin’s famous Galapagos finches.
Fired by Darwin’s discoveries, in 1838 Elizabeth defied convention by joining John on a trailblazing expedition to the untamed wilderness of Van Diemen’s Land and New South Wales to collect and illustrate Australia’s ‘curious’ birdlife.
From a naïve and uncertain young girl to a bold adventurer determined to find her own voice and place in the world, The Birdman’s Wife paints an indelible portrait of an extraordinary woman overlooked by history, until now.

I knew nothing about the Goulds John or Elizabeth. So to learn about them and the whole culture of discovering and classifying species was fascinating. In the modern photographic era you forget or dismiss how hard it must have been to describe definitively a new species. The Goulds, and many of their contemporaries I assume, painted pictures (Elizabeth’s work) and provided stuffed specimens. I must admit there was a lot of killing and stuffing in this book.

Elizabeth was an intrepid (and hard-working) adventurer who embarked on an expedition to Australia leaving all but one of her children behind. She valued her work and arranged her household so that she could work – quite modern in her approach.

I am not a fan of first person narrated historical fiction there is something about the way it flows or doesn’t flow that I don’t like. There were moments in this novel where the research sat heavily on the story – I felt I was being lectured. However, I am glad I have read it and I now feel I know more about Elizabeth Gould and collecting and classifying animals.

Another review …

http://www.smh.com.au/entertainment/books/review-the-birdmans-wife-by-melissa-ashley-and-the-atomic-weight-of-love-by-elizabeth-j-church-20161103-gshg3x.html

 

 

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Doctor Zhivago – Boris Pasternak

Doctor Zhivago - Boris Pasternak

Doctor Zhivago – Boris Pasternak

This is my latest historical fiction group read. As I have been keen to read it for a while, I was quite looking forward to it. In my ‘normal’ book club we are not allowed to read anything Russian or with red in the title! Anyway, I have to be honest and say it was quite the slog.

Here’s the blurb …

This epic tale about the effects of the Russian Revolution and its aftermath on a bourgeois family was not published in the Soviet Union until 1987. One of the results of its publication in the West was Pasternak’s complete rejection by Soviet authorities; when he was awarded the Nobel Prize for Literature in 1958 he was compelled to decline it. The book quickly became an international best-seller.
Dr. Yury Zhivago, Pasternak’s alter ego, is a poet, philosopher, and physician whose life is disrupted by the war and by his love for Lara, the wife of a revolutionary. His artistic nature makes him vulnerable to the brutality and harshness of the Bolsheviks. The poems he writes constitute some of the most beautiful writing in the novel.

My first issue, which is my problem and nothing to do with the quality of the novel, is the patronymic names. It took me a while to get the hang of that and for a long time I would think there was two characters when there was really only one.  This book is long – covering many years (revolutions) and characters. I did learn a lot about the Russian Revolution though – I had no idea it went on for so long. Or that the reds fought amongst themselves.

There were long rambling philosophical discussions that just got on my nerves – Zhivago was definitely a thinker rather than a man of action. And all of the waffling on about wanting to write – just do it.

And I have no idea why it is considered to be the greatest love story of all time. Zhivago just seemed to go with the flow of events – Tonya, then Lara and finally Marina. Clearly Lara was his first choice, but that didn’t stop him living (and having children) with Marina.

Having said that, it does bear witness to a turbulent and terrible time of Russian history. It was brutal and chaotic and life was cheap.

I am glad I read it, but I won’t be re-reading it any time soon. There is the chance my issues are all to do with translation. I read the version translated by Max Hayward and Manya Harari, although this article implies it’s the better version (but maybe Pasternack is only ever good in Russian?).

More reviews …

https://newrepublic.com/article/115305/boris-pasternaks-doctor-zhivago-reviewed

Doctor Zhivago, Part One

Doctor Zhivago, Part Two

https://bookssnob.wordpress.com/2010/11/20/lost-in-over-translation-doctor-zhivago-deconstructed/

 

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The Last Painting of Sara de Vos – Dominic Smith

The Last Painting of Sara de Vos - Dominic Smith

The Last Painting of Sara de Vos – Dominic Smith

This novel was recommended (very highly) by several people, so when I saw it in Target for $16 I thought why not? I am so glad I did it is one of my favourite books this year!

Here is the blurb …

This is what we long for: the profound pleasure of being swept into vivid new worlds, worlds peopled by characters so intriguing and real that we can’t shake them, even long after the reading’s done. In this extraordinary novel, The Last Painting of Sara de Vos, US-based Australian writer Dominic Smith brilliantly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the Golden Age, an inheritor of the work in 1950s Manhattan, and a celebrated Australian art historian who painted a forgery of it in her youth.

In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke in Holland, the first woman to be so honoured. Three hundred years later, only one work attributed to de Vos is known to remain-a haunting winter scene, At the Edge of a Wood, which hangs over the Manhattan bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she’s curating an exhibit of female Dutch painters, and both versions threaten to arrive.

As the three threads intersect with increasing and exquisite suspense, The Last Painting of Sara de Vos mesmerises while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

I was swept away (just like the blurb said) I loved all of the different time periods – 17th century Holland, 1950s New York, and Sydney in 2000, all of the descriptions of art, painting and restoration. It was a very visual story and I would love to see it as a movie. It wasn’t just a pretty story though, it was about choices and consequences and responsibility. How lives impact on one another in both good and bad ways.

More reviews …

http://www.theaustralian.com.au/arts/review/dominic-smiths-last-painting-of-sara-vos-paints-a-tender-portrait/news-story/ef2c6713d04af15760e8cefb3ae3f01b

http://www.smh.com.au/entertainment/books/the-last-painting-of-sara-de-vos-review-dominic-smiths-brilliant-art-novel-20160526-gp4sq3.html

http://www.abc.net.au/tv/firsttuesday/s4453040.htm

 

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A Patchwork Planet – Anne Tyler

A Patchwork Planet - Anne Tyler

A Patchwork Planet – Anne Tyler

I do like Anne Tyler novels, so when someone donated this one to the second hand book stall at my daughter’s school fete I had to have it. One of the perks of volunteering is that we see the books first. It was clearly a well-loved novel and might even have had a bath at some stage!

Here’s the blurb …

Barnaby Gaitlin is a loser – just short of thirty he’s the black sheep of a philanthropic Baltimore family. Once upon a time he had a home, a loving wife, a little family of his own; now he has an ex-wife, a 9-year-old daughter with attitude, a Corvette Sting Ray that’s a collectors item but unreliable, and he works as hired muscle for Rent-a-Back, doing heavy chores for old folks. He has an almost pathological curiosity about other people’s lives, which has got him into serious trouble in the past, and a hopeless charm which attracts the kind of angelic woman who wants to save him from himself. Tyler’s observation is more acute and more delicious than ever; her humour slyer and more irresistible; her characters so vividly realised that you feel you’ve known this quirky collection for ever. With perfect pitch and poise, humor and humanity, Anne Tyler chronicals, better than any writer today, the sublime and the ridiculous of everyday living, the foibles and frailties of the ordinary human heart.

At first I wondered what type of book I was reading, as Barnaby stalked a women he met at the train station, but my sympathy for Barnaby grew as the story progressed. He appeared to be a hopeless case – troubled youth, unskilled job  and divorced with a bad relationship with his daughter, but as the story unfolds you realise there is more to Barnaby than appears at first sight.

All of the Gaitlin men meet an ‘angel’ who changes the direction of their lives. Barnaby thinks the woman on the train, Sophia, might just be his angel. She does change the direction of his life, but not in the way you would expect. She finds him charming on the train and is intrigued (and attracted) by his job. So much so she encourages her ageing aunt to employ him several hours a week. Meanwhile we meet Barnaby’s mother a ‘poor girl who has married well’ who can’t let go of Barnaby’s mis-spent youth. Frequently reminding him of the money they had to spend to pay-off the neighbours after his thefts. Barnaby and Sophia embark on a relationship and Barnaby decides to pay his mother back the money and so free himself from her forever. The other interesting character is Martine Barnaby’s co-worker and friend (they have a lovely bantering relationship). Sophia’s aunt accuses Barnaby of stealing her money (everyone knows she keeps it in the flour tin). It turns out she moved it and then forgot, but Sophia replaces the money in the tin (therefore proving herself to doubt Barnaby). Sophia is originally attracted to Barnaby because of his job, but then she wants him to change – get a better job (perhaps at her bank) and keep the money his mother refuses to take to buy the occasional luxury.

This brings me to theme or idea that I have been thinking about since finishing this novel – life style choices and how hard it is to go against the conventional view of success. By all accounts Barnaby’s life is a failure – failed marriage, dead-end job and living in someone’s basement, but his job is valuable (and brings joy and companionship to the people he helps) and he doesn’t have extravagant needs or wants. He is content.

“The way I see it, everyone has a choice: living rich and working hard to pay for it, or living a plain uncomplicated life and taking it easy”

As with all Anne Tyler novels the writing is beautiful.

If I had to eat one more stewy-tasting, mixed and mingled, gray-colored one-dish meal, I’d croak!

More reviews …

http://www.nytimes.com/books/98/04/19/reviews/980419.19shieldt.html

https://www.theguardian.com/books/2012/apr/13/why-men-love-anne-tyler-novels

 

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Sweet Caress – William Boyd

Sweet Caress - William Boyd

Sweet Caress – William Boyd

This one was recommended by my Mother-In-Law – I think her book club read it.

I found it to be a quick easy read – better in some parts than in others. The parts in Berlin were particularly interesting.

Here’s the blurb …

When Amory Clay was born, in the decade before the Great War, her disappointed father gave her an androgynous name and announced the birth of a son. But this daughter was not one to let others define her; Amory became a woman who accepted no limits to what that could mean, and, from the time she picked up her first camera, one who would record her own version of events.

Moving freely between London and New York, between photojournalism and fashion photography, and between the men who love her on complicated terms, Amory establishes her reputation as a risk taker and a passionate life traveler. Her hunger for experience draws her to the decadence of Weimar Berlin and the violence of London’s blackshirt riots, to the Rhineland with Allied troops and into the political tangle of war-torn Vietnam. In her ambitious career, the seminal moments of the 20th century will become the unforgettable moments of her own biography, as well.

In Sweet Caress, Amory Clay comes wondrously to life, her vibrant personality enveloping the reader from the start. And, running through the novel, her photographs over the decades allow us to experience this vast story not only with Amory’s voice but with her vision. William Boyd’s Sweet Caress captures an entire lifetime unforgettably within its pages. It captivates.

I have to say it reminded me of Forrest Gump – Amory just happened to be in the right place at the right historical time! Having said that though, it was interesting. Some sections appealed to me more than others – Berlin, working as a society photographer in the 20s and others less so – Vietnam, attempting to rescue her daughter from the ‘cult’. I suspect this novel will appeal to people of a certain age (i.e. baby boomers and older).

More reviews …

http://www.independent.co.uk/arts-entertainment/books/reviews/sweet-caress-by-william-boyd-book-review-the-novelists-new-mystery-is-his-best-in-years-10426858.html

https://www.theguardian.com/books/2015/sep/06/sweet-caress-william-boyd-review-textual-hall-mirrors-brilliant-story-life-well-lived

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The Woodlanders – Thomas Hardy

The Woodlanders - Thomas Hardy

The Woodlanders – Thomas Hardy

Continuing my year of Hardy, I read The Woodlanders. This is my favourite so far – the characters (apart from Giles) are more nuanced less black and white. It is typically Hardy – there a love triangles/quadrilaterals, a fabulous sense of place (you could almost here the wind in the leaves), social class issues, pride, vanity and unhappy endings.

Here’s the summary …

The story takes place in a small woodland village called Little Hintock, and concerns the efforts of an honest woodsman, Giles Winterborne, to marry his childhood sweetheart, Grace Melbury. Although they have been informally betrothed for some time, her father has made financial sacrifices to give his adored only child a superior education and no longer considers Giles good enough for her. When the new doctor – a well-born and handsome young man named Edgar Fitzpiers – takes an interest in Grace, her father does all he can to make Grace forget Giles, and to encourage what he sees as a brilliant match. Grace has misgivings prior to the marriage as she sees a village woman (Suke Damson) coming out of his cottage very early in the morning and suspects he has been sleeping with her. She tells her father that she does not want to go on with the marriage and he becomes very angry. Later Fitzpiers tells her Suke has been to visit him because she was in agony from toothache and he extracted a molar. Grace clutches at this explanation – in fact Fitzpiers has started an affair with Suke some weeks previously. After the honeymoon, the couple take up residence in an unused wing of Melbury’s house. Soon, however, Fitzpiers begins an affair with a rich widow named Mrs. Charmond, which Grace and her father discover. Grace finds out by chance that Suke Damson has a full set of teeth and realises that Fitzpiers lied to her. The couple become progressively more estranged and Fitzpiers is assaulted by his father-in-law after he accidentally reveals his true character to him. Both Suke Damson and Mrs Charmond turn up at Grace’s house demanding to know whether Fitzpiers is all right – Grace addresses them both sarcastically as “Wives -all”. Fitzpiers later deserts Grace and goes to the Continent with Mrs Charmond. Grace realises that she has only ever really loved Giles but as there is no possibility of divorce feels that her love seems hopeless.

Melbury is told by a former legal clerk down on his luck that the law was changed in the previous year (making the setting of the action 1858) and divorce is now possible. He encourages Giles to resume his courtship of Grace. It later becomes apparent, however, that Fitzpiers’ adultery is not sufficient for Grace to be entitled to a divorce. When Fitzpiers quarrels with Mrs. Charmond and returns to Little Hintock to try to reconcile with his wife, she flees the house and turns to Giles for help. He is still convalescing from a dangerous illness, but nobly allows her to sleep in his hut during stormy weather, whilst he insists on sleeping outside. As a result, he dies. Grace later allows herself to be won back to the (at least temporarily) repentant Fitzpiers, thus sealing her fate as the wife of an unworthy man. This is after Suke’s husband Timothy Tangs has set a man trap to try to crush Fitzpiers’ leg but it only tears Grace’s skirt.

No one is left to mourn Giles except a courageous peasant girl named Marty South,who has always loved him. Marty is a plain girl whose only attribute is her beautiful hair. She is persuaded to sell this at the start of the story to a barber who is procuring it for Mrs Charmond, after Marty realises that Giles loves Grace and not her. She precipitates the final quarrel between Fitzpiers and Mrs Charmond by writing to Fitzpiers and telling him of the origin of most of Mrs Charmond’s hair.

Another review …

http://www.independent.co.uk/arts-entertainment/books/books-the-woodlanders-1887-by-thomas-hardy-1337143.html

Here is the enotes page for The Woodlanders

http://www.enotes.com/topics/woodlanders

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